Coordination Tactics

On Tuesday, the first thing I woke up to was a call from an unknown number at 6:45am. I silenced my phone but got three more calls from the same number, so I picked it up.

“Hello?”

“Hello.”

“Who is this?” I could already tell who it was.

“Archalbot.” It was the little boy, Kushal, from our visit to Archalbot yesterday.

“Hello Archalbot,” I said. “How are you?

“Fine.”

I waited. “Ok….Well….I’m fine too.”

“Ok.”

“All right then, talk to you later?”

“Ok.”

“Bye, Archalbot,” I said.

“Bye!”

Later in the morning, Dilmaya and I debriefed with Robin and Colin over coffee. We reconfirmed the plan we’d come up with yesterday. Dilmaya was to call our main contact, Kripa, and I’d coordinate with the government. If everything was organized, we’d start Thursday.

IMG_5049I’ve been here three and a half weeks and I haven’t spent a single day in Kaski. Wednesday is millet planting day, so I promised Aamaa that I would take a day off from coordinating housing outreach and tooth brushing programs to come churn up dirt between the corn stalks and shove little millet seedlings in to it. I spent the rest of Tuesday running around, planning for a day in Kaskikot away from internet like it was year on Mars. Finally I ran to the bus park at 5:30pm, just as a downpour began.

The bus left an hour late, at 6:30pm. That’s where I was when I realized that I was supposed to submit my enrollment for graduate school classes in September at exactly 6:45pm my time, 9am EST. If you don’t do this right when registration opens, it’s likely that the classes or sections you want will fill up within an hour or two.

I tried to log in from my phone, but not surprisingly, the cell connection wasn’t strong enough. So I called my parents to see if they could log in to my account from in Maryland and click “submit.” I got my dad on the phone, but in order to log in he needed a password. And the meticulously written document I’d made before I left for Nepal with all my logins and passwords in it had evaporated from my computer. I searched and searched and it was nowhere to be found.

So I hung up and waited a precious 45 minutes until I got to Kaski, where there’s one hotel that sometimes has internet, and my password is saved in my browser so I can log in without the missing document. I got to the Kaski hotel and the internet wasn’t working. I called my dad back while the hotel owner tried to restart the internet, which took about 15 minutes. Then the UConn registration site let me take every step except for actually hitting “submit,” because the site itself was having technical problems, which I now knew because my dad was on the phone with the registrar.

Which is to say that by this point my dad was holding the phone up between the registrar in Hartford and me in Kaskikot, while we discussed options for resetting my password, which required me explaining to my dad that the registrar was saying she was going to send him an email with a reset link; now I’m walking home from the hotel to the house so Aamaa doesn’t think I’ve fallen off a mountain, and the registrar needs to get someone else on the phone so she adds yet another person to this phone chain. Then my iphone won’t download the new password, and then when it does, and I read it over the phone from our house in Kaski to the person four phones away in Hartford, it gets rejected.

It’s like the Nepal jeep travel version of online class registration.

In the end, the registrar’s office took pity on us and just overrode their system to register me for my classes. It was 9:30pm here. Aamaa and finally sit down for dinner. Bring it on, millet planting season.

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Dreaming of Safe Boxes

 

With a lot of thought going in to our current Kaski Oral Health working areas, we’ve also had quite a bit of discussion about whether, how, and why to get involved in a village closer to the center of the damage, where a higher percentage of houses – in some cases up to 90% – have been destroyed.  Lamjung, the next district over, shares its eastern border with Gorkha and this border was the epicenter of the earthquake.

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With all this going on, I’m gradually appreciating how much experience we’ve developed in community-centered design that incorporates multiple systems and people to address even a very specific issue like dental care.  I think that if we can work in one of these districts, we should because we can.  I also feel it’s important to have local, grassroots organizations involved and setting examples in the places where large agencies are doing a lot of work.

As I ponder how we can turn this expertise in to something useful for earthquake-relief (and I think we should have a moment of appreciation for the activity of pondering about turning expertise in rural South-Asian dental care in to earthquake relief), it seems the first step is to be working with a single community in a defined area.

I am hoping that if we can locate a community that’s a manageable size for our capacity and funds, we can at least do a really good job of using a community-centered approach to set up transitional housing in one Lamjung village, with the goal of creating an example to be copied by agencies with more resources. Once we see how that goes, we can decide if it makes sense to bring in another layer in the same community, such as the counseling element that Dr. Aung from the WHO suggested.

I’ve looked at four types of housing so far: Kiran’s tunnel, a simple tin tunnel, something called earthbag building that uses sacks of dirt and can be made to look very much like a traditional home – and then there’s the option of simply providing people with a corrugated tin and some other materials and letting them have at it.

All this was kicking around in my head the other night when I was in Kaski with Aamaa. While we were having dinner a crazy lightening storm started—the kind that’s more like a constant flickering than separate strikes of lightening. There is a lingering sense of nature’s awfulness in the air and everything feels foreboding, even the normal, dramatic patters of weather typical to this season. As we turned in for the night, it began to pour.

P1070133Lying in bed between the sturdy earth walls of our house, listening to rain clang on the tin roof, is one of my places of greatest serenity. This is my favorite way in the world to fall asleep, and my favorite way to wake up. You can hear the entire the distance from the ground under you up to the sky, but all the noise and space are close and balanced and soft like a blanket.

In my half-dream state, I found myself thinking about people lying in their makeshift shelters, with doors of plastic sheets or thin bamboo or synthetic, brightly-colored things, easily torn down or penetrated. Aamaa walks around all day with a key to this house hanging around her neck. She even sleeps with it.  It suddenly seemed like a great indignity to have no door to close, nothing to lock up, no single space to block out the rest of the unknown and uncaring world.

Not to mention the practicalities. Where are people storing any precious photos of grandparents extracted from the rubble? The few pieces of jewelry or any cash they are lucky enough to still possess? You’d have to walk around with all of this stuff on you all the time.

IMG_1719My mind reached about, searching for something that people could shut tightly, a safe box that can’t be stolen when there are no bolts or securities anywhere. Into my head floated a picture of a locked metal container with a pipe welded perpendicularly to the bottom, and a wide plate attached to the other end, like an upside down T. You could dig a hole, place the box in the ground so that the top of the T rests on the bottom of the hole, and then fill the hole in so only about half the box is above ground with the top accessible. There would be no way to lift this locked, anchored box, so if someone wanted to steal it they’d have to surreptitiously dig up the entire affair inside your tarp-house and then sneak out with a large metal T sticking out from under their shirt. Which, if they could pull it off, AND get your lock undone, then hats off to them.  Because the key would be on a string around your neck.

I fell asleep to the sound of the rain, wondering if we could produce a safe like that.

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Stone Paths

 

Yesterday, I went with Aamaa and Neru and Didi to carry 40 kg of cauliflower up the mountain from Pokhara, because, as we know, that’s the kind of thing I do to relax.  Why, you ask? Fair question. At Milan Chowk people are selling cauliflower and potatoes at seasonal wholesale rates, and because our relatives are there, we got an even sweeter deal.  Tell me you’ve ever purchased cauliflower for less than 6 cents per kilogram, baby.

What are we going to do with 40 kilograms of cauliflower? Ah, I thought you’d want to know. First, we’re going to schlep it up to Kaskikot. Then we can chop it in to thin pieces and dry it in the sun to eat later in the fall. And that brings us to yet another day of long steep stone paths, ropes, and heavy loads.

We took the forested footpath on north side, a walk I regularly make in about 35 minutes going down and one hour going up. It leaps (or drops, depending on which direction you’re going in) directly from the flat valley to the spiny ridge top.

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As we neared the bottom of the trail, Didi was walking a short way ahead when Aamaa pointed to a lone man in an empty rice paddy on the valley floor.

“That’s the field where Didi was born,” she said.

I’ve always known that Didi was born during rice planting season, when Aamaa went to work and returned home instead with her first baby.  But I didn’t realize the field was so far away from the house. It belongs to a relative, and I’ve never been to it.

“That one?” I squinted and pointed like I was on safari in Zimbabwe.

“Yes.  And then we walked up this path that afternoon.”

“…What?”

“I came here the night before to plant rice, but I had Didi at 8am the next morning.  And at 4pm we walked back up this same way with the baby.”

“…THIS one?! How is that possible?”

“I know.  Can you believe it? I couldn’t do it now.”

I might as well insert here that my brother and sister-in-law welcomed my niece Eliza Jane Spero in to the world just a few days ago, on March 6, in Chapel Hill, North Carolina. Running around here in Nepal, my mind has been largely preoccupied with thoughts of soft blankets and white linens and wrinkled baby feet at home. So maybe it was just the way the moment came together. But I looked at Didi chasing Aidan and Pascal down the stones in front of us, and all of a sudden it seemed impossible all over again that all of us were there together.

IMG_7151Aamaa was 20 years old when she had Didi, and she endured many hardships after she hiked up this long, unforgiving path later that same afternoon.  I can only imagine how birthing a child must have been then, when medical facilities, telephones, basic shops, and decent roads—to the extent any of these existed at all—were at least a day’s walk away.

Now, 35 later, here we were walking on the same stones. Standing on them, it’s hard to comprehend that millions of people in the world still live in that kind of poverty today, when it seems like an unbearable situation for one single individual. Every once and a while, all those millions are suddenly the one person in front of me, and today, it was Didi. She seemed like a miracle. And the path – which I’ve skipped down and climbed up hundreds of times – just stays there while people go up and down it, carrying their stories from one decade to the next.

It was 6pm by the time Aamaa and I got home with our 20kg loads of cauliflower. We have a lot of slicing to do.

*

 

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Another Relaxing Day Off

Yesterday I did what I usually do to relax on my day off: go with Aamaa and about thirty neighbors to chop and haul firewood for six hours.  As Aamaa and I were headed down the hillside in the morning, carrying our ropes and sickles, a buffalo was baying loudly in the distance.  Aamaa stopped for a second and listened.
“…Oh, it’s a buffalo,” she said.
“Of course it’s a buffalo,” I said.
“For a minute I thought it was a cell phone.”
“You thought cell phone before you thought buffalo?”
“Sometimes cell phones make that noise…bzzzt, bzzzt.”
Cultural moment.
Woodcutting is highly regulated and occurs en masse, and it is a brilliant example of the chaos and color of rural Nepali life.  Today there are about 35 people in the steep, unruly forest shouting and singing and chopping with axes and saws and sickles.  Every now and then there is a loud whoop and a huge tree falls over.  Then you have the random American running around in the middle of this scene.  I am wearing one of my old “work” outfits – a hot pink and green kurta sulwaar from 8 years ago that’s got a rip here or there.  I am ready for action, baby.
I get assigned to a group of women bundling wood and carrying loads uphill to a clearing.  I would like to say that, after twelve years of voluntarily putting myself in these situations, I’ve actually earned a fair amount of respect – I do pretty well for a foreigner.  But there’s just a baseline level of awe that comes along with having a 5’8” white girl waving a sickle around in the woods a tuesday afternoon in the hills of Nepal.  Also, it’s the obvious topic of conversation.
IMG_7056For one thing, “Laura” is, exactly, the Nepali word for “stick.”  This is an endlessly entertaining point.  I look like a stick and I’m carrying sticks and my name means stick.  Unfortunately for me there is also a lot of discussion about actual sticks (after all we are in the forest chopping wood) and I am constantly answering “Yes?” in response to people saying things like, “Hey, give me that stick.”
After a few hauling trips, we’re resting in the clearing when the ladies get to talking about how nobody should submit to pressure from the choppers to carry too much at once.  Loads should be adjusted to the size and strength of each person – after all, it’s really hard work and we have people of all ages and levels of health among us.
Lady one: “I mean look at this foreigner here from Japan.”
Lady two: “It’s America.”
Lady one: “Whatever.”
On most trips I get paired up with Saraswoti or Aamaa, who I follow around like a baby cub. And I appreciate that all the wives look out for me.  However I do get a little fed up with being babied on tasks I’ve sweated significantly to master, such as carrying stacks of wood slung from a rope on my head.  So late in the day, when fatigue and disorder have evolved to a stage where I find myself momentarily separated from the group as everyone is bundling their loads, I find a huge log and wonder if I can lift it.  I manage to get it upright but can’t sling from my head because it keeps falling over.
“PUT DOWN THE HUGE LOG!” yells a guy from across a ravine.  I call this guy Michael Jackson, but that’s another story.  Michael Jackson makes the mistake of shouting across an entire forest that the log is too heavy for me to lift.
I set the log up again.  Michael Jackson abandons his first strategy and calls to Barat to come hold the log so that at least it doesn’t roll away while I’m making a bad decision.  I manage to stand up in the steep underbrush with this huge chunk of tree slung from my forehead.  It’s added at least 75 lbs to my bodyweight.
For future reference, putting DOWN a 75 lb log slung from your head is almost as hard as picking it up.  So I just start walking up the hill with it.  I have no idea whether I can carry this thing all the way up to the clearing, which requires climbing over terraced fields on narrow footholds.  But so far, Michael Jackson is losing, even with my Japanese disadvantage, and that is all that matters.
I plod along until a line of women with their own bundles of wood catch up behind me.  They begin scolding me to put down the gigantic log, and to be fair I kept thinking that, over the next ledge, I would give it up.  But everyone was moving forward as a group, and it was never exactly the right moment to stop, and each time I hit a ledge I would think I’m putting this stupid log down on the other side, but then the other side would be flat enough to take a few steps and I’d find myself at the next ledge.  So we just kept moving up the hill one ledge at a time.
We get to a particularly difficult terrace that has a narrow foothold and a large height difference.  With the added weight, these high steps are treacherous because I literally can’t lift myself.  So instead of stepping up over the edge of the terrace, I put my knee over the top and get myself over on all fours.
For the record, this is a fair tactic.  I watched Sandrakali didi do it earlier in the day.  But it is super awkward, and leaves you waving your butt over the edge of the field at all the people behind you.  Which is really okay in most circumstances, but as it happens, my work pants from eight years ago are ripped right at the butt crack.  So I am waving my underwear at a line of women behind me carrying bundles of wood, while I am crouched under a 75 lb log that is attached to my head by a rope.
This actually happened in my life.  Yesterday.
“Laura, PUT DOWN THE LOG,” all the women are chastising me.  Out of love of course.  What would my Japanese mother think?
“I’ve got it guys, I’ve got it,” I reply, from under the log.
With a burst of leg strength I stand up and make my way up to the clearing, which is now close at hand.  As I approach, Michael Jackson has his cell phone out and is taking a video.
I put the log down and throw my hands up in the air in triumph.  For the rest of the afternoon, everyone is talking about my wood carrying prowess, while simultaneously scolding me for my poor judgement.  THAT log, everyone says, pointing to it.
Also, Srijana tells me to take Aamaa’s shawl and wrap it around my butt.  My pants are ripped and the entire world knows.
We’re off for the next load.  I’ll be ready for the office again tomorrow.
.     .     .

Bitter Medicine

 

The last day of kriya for Malika’s father has been moved to Tuesday night, because the morning of the thirteenth day has fallen on a Wednesday, when it is inauspicious to end kriya. I ask Aamaa and Didi why, and they say, Wednesdays are inauspicious for many things.

“It’s tradition. It has been this way for a long time, “ Didi explains.

So after dark on Tuesday night, Kanchaa and I walk down to Malika’s house, where tonight, everyone will drink gaunut—cow urine. As we pass the water tap, Kanchaa explains to me that gaunut has tremendous medicinal cleansing properties. He says that he had jaundice when he was fourteen, and for six months he didn’t eat salt, and every single day he took a shot of cow urine, and he completely recovered from the jaundice.

The priest is preparing the puja on the porch and neighbors are milling about in the yard. The atmosphere is anticipatory and almost festive. After two weeks of austerity, life seems to be rushing back in to this house with inexorable force.  There is a vacuum.

I’m inside when I hear Kanchaa call my name. It’s my turn to drink cow urine. I squeeze my eyes closed and throw it back. The gaunut is thin and bitter.

IMG_6425Everything looks mysterious and beautiful because of the nighttime. Kanchaa tells me I can take photos, but I’m worried that’s inappropriate, especially if I have to use a flash. At my bidding, he asks Malika’s brothers if they mind the camera, and reports back that they don’t mind. Unconvinced, I ask them myself. It’s really fine, they say.

So when the puja starts, I fiddle with my camera, testing different settings to see what works at night. I find a setting that I can use without the flash, and am clicking away at the tilting shadows on the wall when all of a sudden I hear Krishna dai’s voice cut exuberantly through the reverent stillness:

“So many photos – somebody is going to make a lot of money!”

I feel like I have been struck by lightening. Everything is silent; everyone is staring at me.

“Come over here!” Krishna dai cries. “This is the best view!”

Slowly I lower my camera. “Please, dai,” I say softly. He is supposed to be my friend.

“Come come come!” Krishna dai bellows. “Take some photos from here.”

“Please dai, I’m embarrassed,” I whisper, frozen.

“Don’t be embarrassed! No problem!” he shouts.

I hear murmuring behind me. What am I doing taking photos where a man has died?

For a few minutes I literally can’t move, even to go put my camera away. Eventually I slide in to the shadows and find my camera bag. It’s a few more minutes before I get the courage to find Kanchaa, who is tending a fire. I tell him what happened.

“I’m sorry Laura didi, don’t mind Krishna dai. Some people just don’t understand.”

“I feel awful. I said I wouldn’t if—“

“It’s not a problem Laura didi. Some people have this concept that foreigners sell photos of them. Krishna dai doesn’t understand. Nobody else minds. You can take pictures.”

But of course I can’t bring myself to take out my camera again. I knew when I began this project how easy it would be for it to become voyeuristic or exploitative. Before this evening, I spent twelve years in Nepal, learned the language, and have known the daughter of this house for that long. On two evenings I paid respects without so much as a pencil in my hand. I have been conscientious of placing myself discreetly out of the way with my recorder or camera, and have chosen to use only photos of Malika’s family where their faces are obscured, not because they asked, but because it seems right.

But at the end of the day, I am still an outsider looking in on their pain. And what’s more, I can’t promise that, if given the opportunity to publish this work and be paid, I wouldn’t do it, because, of course, I would.

I tell myself that to bear witness is to honor someone’s experience. But only when we don’t impose anything or expect anything back. Do I meet that standard? Maybe Krishna dai is right.  Maybe more than right; photos are hardly the point. Perhaps I am deceiving myself of a much more basic indulgence.

I will worry about that for the entirety of this project. But in the end, I know I will be drawn back every time, and Krishna dai will never see it as honorable. I can’t change who either of us are. It is bitter medicine, but it will keep me honest.

It is about an hour later when I find myself sitting next to Malika’s eldest sister and apologize profusely. But it is no problem, she insists once more, for me to take photos. After multiple reassurances, the seeker in me wins out. Which was predictable.

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So I have my camera discreetly in my hands while five separate cooking fires are lit, mountains of vegetables are sliced, huge pots of oil heated, and vats of tea are brewed. The hushed tones of the last two weeks have blossomed in to busy conversations. Gigantic heaps of celebratory cel roti begin to pile up as the puja comes to an end.

I have my camera when it is time to say goodbye. A brand new bed has been set up in the yard. Malika’s father’s picture is at the head, and the bed is covered with gifts for the afterlife. At the foot of the bed, as per tradition, is the walking stick that he carried.

 

A candle is lit in the middle of the bed, and the family members circle it, touching their foreheads to it, the way one shows respect at the feet of a senior family member in life. The bed is so life-like, with the walking stick leaning against its side, that it is impossible not to feel the presence and the absence of the man.

For a moment the camera hangs around my neck, and I am still. And then, shielded by shadows, I pick it up. Sharing this moment is my way of paying tribute, so I put that thought in my heart and offer gratitude.  It is stunningly beautiful.

Tomorrow morning, the bed and its gifts will be taken from the house forever.

11:30pm. At last, it is time to eat.

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A Kilogram of Sugar

 

Yesterday Kanchaa and I were at Malika’s house most of the afternoon. It was 1:00 by the time Malika’s brothers had finished washing, praying, cooking, and eating their daily salt-less meal off banana leaves. We accompanied them back to the house and I noticed Malika a fastidiously maintained log of contributions in a school notebook: name, donation, location of house. People streamed in with gifts of incense, ghee, money and tea. In the morning I’d discreetly placed some oranges and bananas in a donation basket.

On the fifth day of kriya a priest begins a daily reading at the house. It’s in Sanskrit, which nobody can understand, so at intervals the priest translates and reflects on the reading.

IMG_6359A king from early times was walking through the forest, thirsty. In the woods, he encountered a spirit who blocked his way to the river. The spirit told the king that he was caught between worlds, unsatiated because his kriya had not been properly observed.

“Honor my kriya,” the spirit said, “and observe my annual ‘sarad’ on the anniversary of my death.” Then he let the king go to the river to drink. When the king returned home, he paid kriya respects, observing all the necessary rituals. And at last, the spirit was at rest.

Tonight I Kanchaa and Neru and I went back to the house after dinner again. I hadn’t remembered until I got home yesterday that while oranges and apples are a central part of the fasting diet, bananas are off limits during kriya. We stopped and Shiva dai’s house and I bought a kilogram of sugar and some incense. We turned on our flashlights and followed the stone path down to Rotepani, past the concrete shelter, past the tap, to the dimly lit house.

The crowd of women was gathered around the fire again, and Malika’s mother sleeping on the floor again, the brothers already asleep on their beds of straw outside. Malika looked weary. She and her sisters are still sleeping on mats on the floor, and it’s cold.

I took off my sandals and handed her my gifts, along with 200 rupees. She took out the school notebook, placed it on a low stool and bent over it with a pencil.

Laura Spero. Incense, 200 rupees, one kilogram of sugar. She paused and looked up.

“America,” she said. “I’m going to write ‘America,’ ok?”

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Kriya

 

Thursday was the seventh day of kriya for Malika’s father. Kanchaa and I arrived around 11am, long after Malika and her sisters had repainted the floors with a new layer of mud, gone to bathe at the tap, and returned home.

The sons’ turn to bathe comes at mid-day. We leave for the water tap with an entourage of men who bring along firewood and a basket of cooking supplies. Malika’s brothers carry only a special set of water vessels. They are not to touch any of the other items directly – not even the basket.

IMG_5955A tarp has been put up a respectable distance away from the water tap, and we set everything down. Just on the other side of the spring there is a sizeable concrete shelter for kriya mourners that was built with funds raised from the community. This gives you an idea of the deference paid to these customs.

Malika’s brothers leave for the water tap. Some of the other men get a cooking fire going, and the rest sit on the edge of the terrace having a rollicking conversation about politics. I can see Malika’s brothers from far away, through a haze of bamboo stalks and leaves. They go through a series of rituals with the water vessels, washing their white linens, and bathing in the discreet way that everyone learns to do in public. Their brother in law stands guard at the edge of the tap, but nobody approaching would be confused. They will wait.

When the brothers return, the youngest sets to cooking their daily meal over the fire that’s been started. The elder brother begins a puja over a small mound of dirt.

I spend a good bit of time gazing at the mound of dirt. It is about a foot wide. When we arrived it was protected with a branch lying over it. Malika’s brother smooths mud around its sides. It makes a rough, wet sound under his palms. A series of other rituals unfold, and each time he needs a new object – leaf, water, jug – one of the other men places it on the ground for him, careful that the two people do not touch anything at the same time.IMG_5950

The mound of dirt symbolizes his father’s body. On the tenth day of kriya, the oldest son will destroy
the dirt body with the crown of his head, and for the last three days of kriya, his puja will move to a different piece of ground, a few feet away. Where there is nothing.

The physicality and deliberateness of this performance is beautiful to me. When we lose someone, there is something missing between our hands, between our minutes, between our thoughts. No matter how long the process of departure takes, there is a moment of disappearance…and then emptiness.

Kriya is an unremitting physical process. Sitting around the edge of the terrace, we bear witness to the externalization of that mercilessly intangible absence. And this seems very important. Observers can carry the baskets, light the fires, put the prayer objects in reach. But they cannot inhabit these things. We are not naked, cold, untouchable; the body has not disappeared from our houses; we are only there to make this reality manifest. But we must be there. Otherwise the process is impossible to complete.

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If I Can’t Say Namaste

 

Last Saturday evening I came home with a fresh bundle of vegetables from the market, but Aamaa said we’d be cooking without salt. A man at the house near the water tap in Rotepani passed away yesterday. Aamaa and I ate plain rice with ghee for dinner.

It wasn’t until the next day that I realized I knew the one of the bereaved daughters. “Malika,” Aamaa said, “Don’t you know Malika?” Of course. I remember her hanging around with Didi and Bishnu back when we were all in our early 20s, before anyone was married. “The really skinny one?” I asked. Yes, that Malika. Her father, in his sixties, had been ill for about a month.

This has given me an opportunity to pay respects during a traditional period of kriya, when a man with grown children has lived an honorable life and passed away at an age that, in these parts, is considered decent.

On the sixth evening of kriya, after Aamaa and I had eaten dinner, I rounded up Neru and Kanchaa from next door. Lighting our way with flashlights down the stone path toward Rotepani, we left for Malika’s house.

As we approached the house, a warm mist of voices bubbled up in the cold black night. We found a tarp stretched out over the yard from the edge of the roof, to shelter the stream of visitors from sun during the day and provide some warmth at night.

Three men were sitting on the mud-smoothed porch, leaning against the wall of the house. I recognized Krishna dai, who I’ve known since the first week I came to Kaskikot twelve years ago.

“Namaste,” I said, raising my hands.

“We don’t say Namaste now,” Krishna dai said.

“Sorry.” I looked down.  I had trouble figuring out where to replace my hands.  Lesson one, of many.

Malika’s brothers were peering through the door of an attached room on the small house – I’m guessing that at some point it was used for goats – sitting on the ground with white blankets wrapped around them, like bowling pins. Until the thirteenth day they will only wear new white clothes with no seams, and they’ll wash these clothes daily.

We talked quietly with Krishna dai and the other men outside for about ten minutes. They are all friends and relatives of the deceased. Their role is to sleep on mats on the porch and guard the door of the house, because the sons are not to touch anyone or anything during kriya.

“For example, if a chicken comes by,” Krishna dai said, “we shoo it away. So it won’t touch them.”  This seemed awful and gorgeous.

Krishna dai asked about our mourning traditions in the United States. I said they vary a lot according to religion and habit, but that I am Jewish, and our rules mandate a quick burial – strictly speaking, we don’t cremate. I explained how we have a gathering where people stand up and tell stories about the life of the person who has died, so that everyone can share and honor these memories in one place. The sons leaned in closely by the door of the goat room to listen to me. I said we bury our dead in a special place that’s marked with a stone, where we can return to do puja and be with our loved one. That we return from the cemetery and wash our hands and fill our stomachs with food, and people stream through our houses with flowers and food while we sit shiva – a mourning period when we keep our homes full of life, because we must keep living. By contrast, kriya imposes strict and challenging rules on almost every movement of the bereaved: fasting, washing, praying, isolation, burning. In some ways, everyone has died.

It occurs to me now how little I know about the orthodox dictates of Judiasm and mourning. Is there a period of purification? I have no idea. I could look it up easily for this post. But it’s more interesting that I have no idea.  So I’ll look it up afterwards.

As we were talking, a slight woman with her uncombed hair falling over her shoulders came out of the house. Malika and I haven’t seen each other in about eight years, but she heard my voice from inside the house. Despite the circumstances, it was a really lovely moment. There wasn’t a lot that needed saying, other than, “I heard.”

We entered the small house. Malika’s widowed mother was sleeping by herself on a bed of straw – she too must observe kriya for thirteen days. “Say ‘Aamaa,’” Malika said.

“But what do I say if I can’t say Namaste?” I asked.

“Just say ‘Aamaa,'” Malika said.  So I softly said, “Aamaa,” and her mother sat up.  There wasn’t really much more to add after that.

But just on the other side of a low wall, a crowd of women was gathered around a fire, where a kettle of tea was brewing for all the visitors. Mourning customs for daughters are lighter than for sons and wives: Malika and her two sisters observed kriya for four days, and on the fifth day, they added salt to their food and were allowed to touch other people.  Their straw beds, upgraded now to straw mats, are still arranged on the floor of the house. They’ll sleep there together and continue cooking their own food and eating only once a day for thirteen days. Their hair will stay uncombed until then.

Neru and I sat by the fire for about an hour. Between other chatter, the huddle of women asked me all kinds of things about death rites in the U.S., and also about my family and what I’ve been up to. There was lots of quiet laughing. We spent a long time on the topic of marriage, which, in these parts, is almost always arranged by parents. People here are endlessly enthralled by the concept that I am tasked with finding my own spouse.

“Love marriage,” I said by way of explanation.  Here the phrase has an illicit undertone, like eloping. “That’s our culture.”

An old lady next to me was having trouble following. The expectation she’s always known is that you are paired with a spouse who is astrologically compatible with you and socially compatible with your family, and then you sign up for a life together, and then you go from there. A younger auntie jumped in to help out.

“Love,” the auntie said, looking up at us from her seat by the fire. “When two people make things work between them—that’s love, right?”

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Homecoming

 

Mahendra and Madu are two of the first boys I ever met in Kaskikot. They grew up in the houses on either side of us, and when I first arrived in 2002, Mahendra was about 13 and Madu was 11.

Mahendra, '06Mahendra has the chiseled features and doe eyes of a movie star and the athletic, wiry frame of a boy who is too restless for his environment. As a teenager, when all the kids built swings for the festival of Dashain, Mahendra would climb a towering stalk of bamboo like a monkey and fix the rope at the top while hanging horizontally, high above the ground. If Mahendra had grown up in the U.S., he would have been the star of the high school soccer team who smokes pot and can be counted on for a party when the parents are out. He’d always hated being born poor in this bottomed out village, even from the time he was very young. It bored the hell out if him and insulted his power. He was meant to be dangerous and to cut his teeth on anything but here.

Madu on the other hand was a gentle, slender boy with a soft voice and midnight skin. I often used to sit in his house in the evenings while his mother brewed moonshine to sell for a few dollars. Like Mahendra, Madu dropped out of high school before he graduated, and signed up with a manpower company when he was about 16. Before he left, Mahendra married and left behind a pregnant wife. Madu’s older brother Jivan left; then Madu left.

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So many of the boys in this village are like Madu and Mahendra. For the first few years I was coming to Kaskikot, we spent a lot of time together working in the fields, carrying loads, pounding and climbing and chopping and joking in the yard over tea. There was a posse of them that used to wander out at dusk after the work was done, to play soccer or roam or plan the future. Sometimes I would hear Barat playing his flute on the other side of the hill, where the posse used to hang out in his yard.

Then they started disappearing. Malaysia, Saudi Arabia, Qatar, Dubai. Madu’s house gained a TV and a new room, and Mahendra’s mud house, like many others, was rebuilt with cinderblocks. Large swaths of the hillside turned year by year from fertile to uncultivated land. One home after another became inhabited only by old people.

Last Monday night I arrived in Kaskikot for the twelfth year in a row. The next morning when I got up, Madu came over and sat in the yard talking with me for half an hour. He was wearing a faux-leather jacket and shoes. He has been working at a noodle factory in Malaysia for three years, first sealing spice packets, then as a line manager. It started off bad: the overtime they were promised not paid, the meals they were promised not provided, the roommate who ate dinner, went to bed, and then didn’t wake up the next morning for a reason nobody knows. Everyone was afraid to touch him, this body that at home would have been sacred. Once Madu got promoted, his salary doubled and it was better. Most of them, he admitted, don’t promoted.

I went to fetch water at the tap. I passed Barat’s yard and the whole posse was there. All home from their various countries this winter. Most of them married. Leaning carelessly against the wall, sitting with an arm angled across a knee, laughing at a private amusement, hair greased and shining in the morning sun. Mahendra looked as glamorously bored as ever, but he did light up – to the extent he does – to see me.

I asked what they’re all doing now. The answer: waiting for new visas.

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