The Other Skies

 

The first thing I have to do is convince Aamaa to wear one of her new kurta salwaars. She has spent 60 years wearing a more dignified sari and she’s shy to dress like a girl. I insist she will be a lot more comfortable on our 24 hour journey with trousers on.

Bhinaju and our cousin Laxu come to the airport with us. As we stand outside the door to the airport, again there seems to be a strange inversion of everything. We say goodbye and move in to the 24-hour netherworld of air travel, but the moment when I detach like a raft in to the sea, alone and timeless until landing back in the rest of my life, never comes. Instead, all my focus is on Aamaa while we pass through various inexplicable passages and security checks, making goodbye phone calls along the way.

We end up seated with Chandrakala, a charming woman probably in her mid-forties leaving Nepal for the first time to go be a maid in Greece. I explain everything from the seatbelt to how to order drinks and use the bathroom. I set up their personal TVs with films for them to watch. They both look disapprovingly at the glass of wine I ask for, so I make a point of asking each of them repeatedly if they would like some wine during the flight. Aamaa has a million questions. Is it night or day? Can I put my passport away yet? Are mom and dad awake now? I don’t know. I’m used to not thinking about any of these things.

We spend the flight talking with Chandrakala didi and when we get off the plane in Doha in the middle of the night, the three of us stick together. The Doha airport will be the first thing we encounter that is a developed country version of the comparable thing in Nepal; Tribhuvan International Airport in Kathmandu only supplemented its two small departure terminals a few years ago and the waiting area is decorated with rows of cheap, attached metal chairs that can be dragged about in units of three. The Doha airport is a dazzling maze of high ceilings, moving walkways, shiny things, monitors, duty free shops where beautiful women are illuminated by fluorescent lights, and of course, the enormous random nauseous teddy bear that is taking up space at the center because space needs to be taken up. It occurs to me how strange it is that in modern times, the first thing an immigrant from a developing country will see in a wealthy country is an airport, which is one of the weirdest environments modernity has to offer.  For example, Aamaa couldn’t even think of a question about the following dinosaur under a passageway in the airport:

I lead Aamaa and Chandrakala didi to the sleeping room and we all try unsuccessfully to doze off. Aamaa and I both end up stretched out on the floor instead of the awkward lounge chairs, and I appreciate how we must look, sprawled out on the ground in a room full of disciplined travelers using the chairs.

We go to the bathroom and use an automatic hand dryer.

By now we are all aware that we’re going to have to abandon Chandrakala didi to the Doha airport when our flight leaves for New York. I take us out to the nauseous teddy bear where a bank of monitors will show Chandrakala’s departure gate when the time gets closer, and explain to her three or four times how she’ll navigate the list of English symbols. Chandrakala didi is literate but uncomfortable with English, and if you don’t know what a gate is or how an airport works, reading the monitors is just one obstacle (how do you even know you’re supposed to read a monitor?). There are many Nepalis working in the Doha airport and we chat some of them.  Chandrakala didi will be able to ask someone if she needs help, but it still feels wrong to leave her alone in the glowing Doha airport with its mysterious halls and signs and statues. Eventually we have to say goodbye, and she sits outside our gate watching us go.

Every time Aamaa and I have to pass through a checkpoint or security screen, the international airport staff first assume that we aren’t traveling together, and then want to know what in the world is going on. Aamaa has all the looks of a first-time traveler from a traditional part of Nepal, and in addition to the fact that I have all the looks of a private-school educated white suburban yuppie from Connecticut, I tower over Aamaa by about eight inches.  Since she doesn’t speak English, I usually have to translate instructions.  After figuring out that we go together, most people assume I am her daughter in law, which would explain how I know Nepali and why I’m the one shepherding her on an overseas journey. “This is my daughter!” Aamaa giggles as she corrects enthralled security guards and airline attendants. We make our way from counter to counter and checkpoint to checkpoint, crossing the globe in a little bubble of delight that we make no sense.

Finally we board our fourteen-hour flight to JFK. We get incredibly lucky with an empty middle seat on a mostly full flight, so we’re able to take turns properly sleeping. I was worried about how Aamaa would handle strange food made by unknown people, but she mostly exclaimed over amount of it, approaching each tray with curiosity and then asking me if I wanted to eat her pats of butter because she was full from the continuous flow of food.

“That goes on the roti Aamaa, you don’t eat it by itself. It’s like ghee.”

And then the next tray would come and she’d ask me if I wanted the butter again.

We peered out the window at the rolling white puffs lolling off to infinity and Aamaa asked if the clouds were the ground or the sky.

“The sky,” I said.

“Does this plane also go to the other skies?” Aamaa asks, long after we’ve lost track of night and day.

“Other skies?”

“They say there is this sky, and then a sky above this, and then a sky below this one,” Aamaa says. “I don’t really know much about it. But I was wondering if this plane goes to the other skies.”

I gaze at her.

“I don’t really know,” I say. “I don’t know much about it either.”

Many trays and questions and naps and pats of butter later, we break through this sky and New York comes in to view. Aamaa reaches behind her for my hand as she stares out the window, and with a dramatic rumble, the plane sets us down on the ground.

*

Another Room in Heaven

For someone who has spent 15 years in Nepal, I’ve travelled very little in the country, choosing instead to burrow further and further in to a single community, a single home, a place where now twelve year olds have always thought of me as a part of their world. It was only a few years ago that I suddenly thought: I’d like to explore. I’ve started stetting aside a few days every few years to go climb out on a spine of rock some place, in some location that percolates on a back burner in my mind until it bubbles over and asserts itself: this is the time, go here.  Then life adapts around it.

The Way to Muktinath

One way to travel is to go to see things that are new and unfamiliar and exciting or challenging – like that time I went to Murad Khane in Afghanistan, or when I floated in the Dead Sea, or the month I spent in New Orleans doing oral histories for StoryCorps after Hurricane Katrina.  But this is something else, a magnetic pull to a place that is already inside me, a dot on a primal map created a long time ago.  In 2013, Prem and I went to Mardi Himal by a little-traveled route comprised largely of goat trails snaking along a blade of snowy ridge that rims a basin of Annapurna giants. It was winter, everything wide and blinding, the sunrise spilling pomegranates and mandarins and pineapple juice all over the jaws of the cold earth. When I got there, it made sense.

Now it is summer. Muktinath sits north of Pokhara between Lower and Upper Mustang, a stone’s throw from the Tibetan border, and houses a famous complex of Buddhist and Hindu temples. For some time now I’ve been pulled north, toward the areas of Nepal influenced by Tibetan culture, and also where the landscape climbs up and stays high, where the trees fall away and leave a desert mountainscape that stretches off to the Tibetan plateau, a mystery, an uncrossable border. In the winter even local residents often come down from Mustang to the valley to escape the unforgiving snow and cold.

Prem Bhinaju and I met a bus by a curb in Lakeside early on Friday morning. It was headed to Jomsom, which is only a 15 minute flight from Pokhara, but unlike crystalline winter, the summer is dense and foggy and flights have not come or gone from Jomsom in a week. That leaves us with what should be a ten hour bus ride. You know where this is going.

There’s the obligatory 2.5 hour delay when a bearing that has to do with steering left needs fixing, and magically, the Bagloon Highway produces an auto shop strewn with hulking shells of buses and tractors and cars and unidentifiable transport components, so we pull over to fix the bearing. We set off again around noon under ten-ton heat, but I am relieved to be on the move with my day pack and with Prem, my most familiar travel companion. The road winds upward and the Kali Gandaki River drops below us, black and rumbling with coal-colored silt that will settle by the time the torrent gets to in Pokhara, where it is called the Seti Gandaki, or White River. The road becomes a road story that I can’t tell because my mom reads this blog, but even passengers local to Jomsom are praying and squeezing their eyes shut while we loll side to side on a road that, from afar, looks like a child dragged a pencil across triangles of high mountain forest and then got distracted with a sandwich. In the end, aside from knuckles white from clinging to the seat in front of me as if that can save me from a long descent in to the Kali Gandaki – one of the deepest gorges in the world – I come out fine. Prem and I arrive in Jomsom at 7:30pm.

I know I’m in Nepal, but Jomsom looks like a ski town and I have to keep reminding myself that this is Mustang. We clomp along a stone-laid main street with quaint local shops and hills rising up behind them. In the U.S. we’d call the hills mountains, but in Nepal, the mountains are the sheared white rocks twice as tall that are currently lost in monsoon cotton one row further back on the horizon.  It is hard to believe anything could tower over the already looming hills – I remember thinking the same thing at Ground Zero, knowing that Lower Manhattan’s massive skyscrapers had been dwarfed by the Twin Towers.  It is impossible to imagine land up in the middle of the sky, but I know Diligiri is there, behind the clouds, a thousand stories high.  We settle in at a hotel.  Local plum wine.

Our walk to Muktinath starts the next morning and takes two days, one long day up and one long day back. We walk along the Kali Gandaki in a landscape created contradictorily by the upward smashing of tectonic plates and the downward gouging of receding glaciers. The result is a desolate, heaving geometry, eons of history piled atop one another and laid bare straight from river to the sky. Dwellings impossibly carved out by people who once migrated southward from Tibet are clustered in the sweeping rock face, and the occasional modern village is a patch of irrigated greenery in a borderless expanse of brown. This should be the province of giants, but we are just tiny people, our feet sliding over bazillions of even tinier rocks, where fossils casually present themselves because nobody has owned them yet. They were once underwater and they have been here forever and ever and ever.

The climb starts. No houses, no villages, no ancient dwellings for hours. Prem Bhinaju finds a fossilized creature with gold flecks in it. Uncharacteristically , I haven’t exercised in weeks and my legs feel like playdough, but it’s cool. I have an actual fossil in my pocket.

We arrive in Muktinath around five, eat something, and rest for a while. Then, because tomorrow will be a long day and we’ll be pressed for time, we go out to explore the area around the outside of temple complex.  That will leave us time to go to the temple itself in the morning.  I leave most of my things behind except for my SLR camera and rain jacket. Now that it’s evening a slight mist is drifting downwards, uncommitted to getting us fully wet. Dusk turns dreamlike and enchanted.

Prem says we’ll walk up to the place where the path to Thorong-La pass starts. We would need a whole extra day to get to the 5,416m pass, but there is time, at least, to lay eyes on its direction. We circle the wall of the temple complex, and two nuns are just leaving, one wearing hot pink sneakers. I ask if the nuns if they were born here in Muktinath and they say yes, and even though that is a completely unremarkable fact, to me it seems incredible because I am so far away from the world I know. They bustle off to the nunnery.

We climb quietly past parts of the complex wall that have cracked and broken in the earthquake two years ago, and emerge in a widening field that slopes upward and disappears in to a fog. “The way to Thorong-La,” Prem says. He says we are at 2800m. I say, obviously, we should walk up another 200m, so even though evening is turning denser, up we go in to the haze.

Some ways ahead, a walking bridge is slung across the gorge to our left and we climb until we reach the concrete block anchoring the bridge to the ground on our side of the river. Without any comment, Prem sits and I follow, and then I lie back and stare in to the unremitting white sky. No variations in density or color, no dragons or bears or wizard faces, just an endless, depthless white.   Further up the green rocky slope, on the other side of the embankment of fog, is the path to Thorong-La; below us is everything we’ve come from.

Quiet.  I am filled with a profound gratitude for Prem’s company, his silence, the easy way we can walk up to this concrete block and sit on it at dusk and do nothing at all.

After fifteen minutes, I decide to cross the bridge, for much the same reason we walked up 200 meters. We’re on one side of a bridge, so it should be crossed.  The first step out over the edge ofthe gorge sends a thrill through my nerves, and then out I plod out over the wires, which undulate a little with my steps, until I am standing directly over the water gushing down from the high mountains.  A thunderous cloud of sound rises up through my bones and engulfs my senses; I can barely hear my own breath. It feels like the river is running right through me, and when I shout or chant the water picks up the sound and rumbles away with it taking my voice down down down down to all the places we were.

The instant I step back on to the concrete block the mountain silence envelopes me again; magically, the roar of all that water is audible only between the walls of the gorge. Prem takes a turn on the suspension bridge, and then we head back down the green slope and circle around the other side of the giant temple complex.  Night is creeping in slowly, as if stalling a little to give us just enough time to see one more wonderful thing.

We come to an area of the hill I have been viewing from below in the mist: rows and rows and rows and rows of prayer flags strung behind small white structures scattered high up on a hill. I studied Tibetan Buddhist funerary rituals for a course I took this year, and throughout the evening, my sights have been trained here. When we passed the nun in the hot pink shoes, I pointed this way and asked if it was okay to pay a visit. She said yes. Prem and I make our way over the hill toward the fluttering prayer flags.  He walks down toward the road, and with barely a word, I go up.

I’m expecting to see signs of sky burial, but I realize quickly that this is a land burial site. Everything feels unified and still, but also light and high. There are small cairns everywhere, placed for passed spirits to find refuge to heaven, and as I walk between the grave sites, it suddenly occurs to me to ask Prem, still at an audible distance, if he thinks I could build a cairn. Why not, he says, and sits down on a rock facing out over the endless prehistoric topography while I climb higher up and find a patch of ground abutting the faded squares of color calling tut-tut-tut as the wind tugs them from their strings.

Prem never asks why. He just waits.  And when I have built it, a stack of stones among all the stones and fossils, another room in heaven, and when I have sat over it and cried for some minutes, I walk down the hill and we leave.

Night falls at last.

 

*

 

Between the Corn and the Millet

I try to imagine Aamaa’s life as it was back then, when the water springs in Kaskikot weren’t concrete taps but delicate pools that stirred up silt if you took from them too quickly. As a girl and young wife of 13, she sometimes had to sleep overnight in line while other women had their turns gently lifting the water jug by jug. By the time Aamaa was 22, she was a widow with two young girls of her own, and it would still be years before a bus came to Kaskikot, or a door was put on the entrance to her one-room house.

There have been many impossibles in Aamaa’s life. She raised two educated daughters who could split wood and carry twice their weight by grade school. The civil war started, but it was elsewhere, in other villages. The electric mill came; the bus came; the tourists came; other people converted their houses to homestays and restaurants. Aamaa’s house is off the road in a cul-de-sac of mountainside that nobody wanders past by accident. Even after some foreigners bought the patch of land on the hill behind the house and built a fancy hotel there, passers-by from Korea and Israel and Japan and Australia hiked past with their eyes straight ahead on the sprawling white peaks, rarely looking down to notice Aamaa and Didi and Bishnu there in the sunny yard, drying grain.

The likelihood that I would wander through the door one day has always seemed both insane and inevitable.  And over the last fifteen years, I’ve mostly thought of my life opposite Bishnu’s.  We were the two girls born at the polar ends of the universe, the ones who looked at each other and thought, what if I were her?  She’s been in the U.S. for eight and a half years now, while I spend significantly more time in Nepal than she does.

Aamaa was always more like the soil: everywhere, earthy, constant, essential.  She has all the nutrients and produces all the food and water and shelter.  Aamaa keeps the house alive, the field and gardens fertile from cycle to cycle, the fire crackling.  No matter how many people show up, Aamaa feeds us all. And no matter how many people go away, no matter how empty this house gets or how many of her birthdays pass, she keeps the water jugs full and the seeds sorted in dusty bottles. Aamaa has spent five decades in this village.

I had no idea Bishnu had applied for Aamaa to get a tourist visa to the U.S. to see Bishnu graduate from her Master’s program in information technology. Nobody told me that Prem and Didi took Aamaa to Kathmandu for the very first time last May to go to the U.S. Embassy, or that on the way there, Aamaa didn’t eat any cooked food because she couldn’t be sure who had prepared it. A few weeks later, I answered my cell phone in the parking lot at Walmart, and Bishnu announced that Aamaa had been given a five-year multiple entry tourist visa to America.

“What?” I said.

“For my graduation!” Bishnu explained ecstatically. She hasn’t seen her mom since 2013.

This explanation failed to explain all the questions I couldn’t think of.  Obviously the idea of having Aamaa make this trip has floated through my brain millions of times, but it was the ultimate what if ever.  The craziest version of everything.  Part of me thought that maybe this was all kind of a whim – a thing that might happen next year, or something. But Aamaa had sold the buffalo within a week.

On my way to Nepal in June, I tried to imagine having Aamaa with me on the way back. First I tried to digest the most obvious and superficial matters. For example, how would I explain the enormous statue of a teddy bear bent over with an apparent stomachache dramatically bottom lit in the Doha airport?

I can’t even explain that to you.

When I arrived in Kaski, everybody’s greetings had adjusted to the most up-to-the-minute state of affairs. “Laura! You’re here! How long are you staying? So, you’re taking Aamaa back with you, eh?”

Only Aamaa and I seemed cautious and uncertain with our excitement. The whole thing is so surreal that even the discussion feels like an entirely new and foreign continent. For fifteen years Aamaa and I have had what is now a very well established routine: I come to Kaskikot, we eat together in the kitchen, we go plant things with neighbors and churn milk and carry water from the tap, I fix up some things that need fixing in the house, we gossip about family here in Nepal and all the far away people not in Nepal. Aamaa knows them all – my whole extended family and a good number of my friends who have been to visit – largely through stories. But she’s the stable point, not just for us, but for herself also.

“So we’re going to America, huh?” Aamaa says as we are sitting on the porch, as if testing out the statement.

“Sure seems like it, right?”

We stare out at the tall curly corn stalks, crowding out the grassy millet that’s planted between them.

“What is the name of your District?”

“Pascal, do you know how many states there are in the U.S.?” I ask, and he doesn’t know, so I explain again about Virginia and Maryland and Connecticut and North Carolina.

We discuss departure dates because I have to change plane tickets that currently have me going home from Cambodia, where I’m visiting Bethy in August; Amaa knows Dr. Bethy, because she’s been here too. We mull over how long Aamaa’s trip to America should be. A month would probably be good – she might be bored after a month?

“I’ll go after cutting down the corn, and I’ll come back to cut down the millet,” Aamaa suggests with sudden firmness.

That seems good, I agree.  That is more orderly – maybe because we can see the corn.

Long silences. What, exactly, should we should be planning?

“Bishnu suggested I should get some kurta salwaars made,” Aamaa says. “I guess you aren’t really allowed to wear a sari in the U.S.”

“You’re allowed Aamaa. But a kurta salwaar might be more comfortable.”

“Ok we’ll plan a day to do that in Pokhara,” Aamaa states. “I guess we have to leave time to have it stitched and everything, right? We should go soon.”

“It only takes a couple days, but we can go soon.”

“Nah, you should just pick something out and I’ll meet you at the tailor,” Aamaa adjusts. “I don’t know anything about picking fabric.” Honestly, in sixty years, Aamaa has never walked in to one of Nepal’s fabric shops and picked out material for an outfit, which is how literally everybody in Nepal gets their clothes.

“No no no,” I insist, “I think you should definitely get to do the fabric choosing. Pick your own color, something you like.” I have to talk her in to it.

A few weeks later Aamaa takes the bus to Pokhara and waits for Pascal and I to come meet her at a chautara in Chiple Dunga. She can find her way to Didi’s house, but for the most part she prefers assistance to get around the city. Between the three of us, Pascal is the only one who can properly read in Nepali. We set off up the road to go to the fabric shop.

Laura chiama, let’s have some ice cream,” Pascal suggests wisely, because I am the sucker who will pretty reliably buy us all ice cream. As we pay, Aamaa has sat down on the low wall at the foot of the store, which is not a seating area, and Pascal and I go with it. I hand Aamaa her first ice cream cone.

“Do I eat this bottom part, the biscuit?” Aamaa asks.

“Yes, but don’t eat the paper,” Pascal instructs.

“I’m not going to eat the paper,” Aamaa says.

I can’t even remotely transpose any of this to Connecticut. I ask a passer-by to take our picture, and as you can imagine, she looks at the three of us – the Aamaa who has very obviously just beamed in from the village, the entirely incongruous American, and this regular Nepali boy being raised in the city – and gets a huge grin as she takes our picture. What could our story possibly be?

We set off again. Aamaa has brought along a broken umbrella from the house. “Laura, where’s a place that we can fix this umbrella?” she asks. I blink, there must be an answer to that, but I’ve never thought about an umbrella-fixing place.

“We should probably just replace it,” I say, feeling guilty for my wastefulness and mental laziness. I don’t have the energy to try to figure out where the umbrella fixer might be and there’s really no excuse for it.

As we wander to the center of town I’m distracted and disoriented because everything is inside out. When I first came here I couldn’t say a word or do a single thing for myself, and in Kaski, Aamaa runs everything.  We get a few kilometers off her turf and suddenly she is the foreigner and I’m the one who knows what we’re doing. She has also brought with her a heavy bag of cucumbers and other items for Didi and Bhinaju and the boys, and she’s carrying it on her shoulder, the way people do in the village where nothing is flat.  Pascal is twelve and he goes sprinting out in to traffic as we cross the street and I pay him no heed whatsoever because I’m dodging people to keep eye on Aamaa, having no calibration for how much I do or don’t need to hover over her in traffic. We probably haven’t walked through the city together more than two or three times in a decade and a half, and never just us – not once.

We arrive at the fabric shop.

There are hundreds of colors and textures of cloth to choose from. Aamaa looks hopeful that I will take over. As a young man begins removing options from the shelf she bends over them. He throws one on top of another and another and another and another. Her hands settle on a jubilant orange outfit.

“I like this one,” she suggests. She looks at me as though asking if that one is a good one to like.

Within ten minutes, Aamaa and Pascal and I are pawing through dozens of kurta salwaars, trading opinions on what Aamaa should wear in America. She picks two, and we take them to the tailor, who takes out his tape measure. He’s going to make something just for her, in her size and shape, to wear between the corn and the millet.

“I think you should do short sleeves,” I say. “Definitely short sleeves.”

“I don’t know – I think they should be a bit longer. To the elbow,” Aamaa says. The tailor agrees – maybe longer sleeves for an Aamaa. No way, I say, short sleeves look best on a kurta and it will still be hot in September. Aamaa studies her arms for a minute, apparently imagining them in a very standard piece of clothing she’s never had.

“Yeah. That’s how I want them,” she concludes. “To the elbow.”

*

The Ritual of Goodbye

 

I decided to take the jungle path up to Kaski, which I normally travel multiple times during any visit, but haven’t been up or down yet during this hectic winter. I set off late and as I climbed up, the scramble of things fell away and I was alone on the stone path.  Where there is time to climb and think.

It’s been a few years since the forest was cut here (for grass, firewood) so the way is lush and clustered with greenery.  I always wear flip flops and the contours of the rocks feel close under my feet, even in winter.  At intervals, I came upon dustings of red powder laying bright on the rocks, a trail I suspected had been left by a recent funeral procession headed in the other direction down to the river.  Midway up the path there is a natural spring that has been organized with laid stones, and one large flat rock with a groove in the middle serves as a ledge channeling a steady stream of water for drinking. When I come this way with the kids, they cup their hands under the trickle and funnel the water between their lips, like something out of the Secret Garden. The spring always feels like a sacred place, a steady tributary of water that started who knows where, up high in the mountains, probably, and falls there at our feet as we pass.

As I made my way up from the valley to the ridge, I had that granular awareness of time passing behind me, and it seemed so strange that at any moment I was on one stone, and then I would be on the next one, and just that way the whole path would be behind me and I would be up in Kaski, the secret water tap and everything far below where I’d just been.

img_1031By the time I climbed up the last step to the ridge top, I was a combination of chilly and sweaty in the January dusk. I walked the spine of the ridge, which curves along our cubby of village as if along the top row of a stadium. Little Narayan caught sight of me up along the ridgetop, and yelled out from way down in the first row where he was visiting a neighbor, LAURA DIDIIIIIIIIIIIIIIIIIII!!!!! before launching in to a sprint and leaping up over terraces to come walk the last bit of the way by my side. We made a right turn at our row in the top section of the stadium, and strolled out to the house sitting in the wings, where the fire was lit and Aamaa and Hadjur Aamaa were waiting.

We had some popcorn and hot tea as sunset approached. Narayan’s brother Amrit came over and in the yard we practiced taekwondo and played chungi, which is basically Nepali hackey sack using a ball of rubber bands, while Aamaa cried out at us to calm it down and I riled everyone up. Govinda dai came over and we sat with Aamaa in the kitchen while she made anadi paste, a rice dough with ghee that is healing for sore muscles and bones, and then we ate it and it made our hands sticky with ghee. Saano didi came over, and then Mahendra’s mother came over. We transferred to the big room with all the beds, and while our visitors took seats around the room to hang out, I jumped under the blankets with Hadjur Aamaa, and with us both lying down, my long limbs rested against the soft jumbled folds of her sari.

Aside from ritualized procedures and ceremonies – tikka-giving, astrology-reading, mala-making — goodbyes are wholly unfashionable around here. So what usually happens on my last day or last morning in Kaski is our closest neighbors come over to chat, but nobody talks about the fact that I am leaving, going to another world, and won’t be back for a long time. If we do, it is in the form of asking about the trajectory of my flight, how long I’ll be in the air, what they give us to eat during such a long journey, and whether or not it is colder where I’m going than where we are. We discuss what season it will be when I come back (summer), and what fieldwork we’ll all do together (millet planting and rice planting), and this leads us to reminisce about what a klutz I was when I first arrived, and how many things I know how to do now. At some point, people wander out mid-conversation. Because the course of events is set, both the leaving and the returning, and since there is nothing to be done, there is no point in becoming uncomfortable. I understand this ritual of goodbye, and have become grateful for it.

churning milkAfter most people had left, Govinda stayed while I churned milk so I could bring buttermilk to Pokhara tomorrow for the family. Govinda took photos of me, which is kind of nice because I don’t have many photos of myself since I’m always the one taking them – but then, people, he posted them on Facebook and two days later I would discover that this photo album is wildly more popular than anything I’ve ever posted of myself trying to be useful or worthy. What does it all mean?

When the milk was churned, Govinda dai left to go home and Aamaa and Hadjur Aamaa and I got ready for bed. It’s always been a nightly habit of mine to go out after everything is quiet and look at the stars, across the village stadium at Kali with her arms stretched out under her cloak, and study the positions of the constellations amassed around her. I usually walk out along the garden, and sometimes I climb halfway up the hill to the ridge and look back at the house with its golden porch light, a warm square in the broad, cold darkness. Even when I am far away from Kaski, I often feel my self located there, outside in the silence, looking back at the still, lit house in its expansive darkness. That spot is a place of gratitude and wonder, of tiny-ness and huge-ness at the same time: my little self, with coordinates in the galaxy.

It was another January night, clear and chilly, the stars laid out overhead like dust. I went out to the yard to brush my teeth, and for whatever reason, instead of going out along the terrace, I stood in the square of light cast off the porch and looked out in to the dark. In the summer, the yard is hemmed in by towering corn stalks, but in January, there are no walls against the yawning night.  I stared out in to the blackness, past the edge of the yard, and all I could see was the outline of trees under the stars, and an opening in the blackness at the top of the hill where the path gives way to the ridge.

It occurred to me that in all this time, I’ve never looked at it this way. I studied the inscrutable night, brushed my teeth, and threw my eyes up to the sky for a moment to make sure Orien was where I expected him.  Then I went back in to the house, placed the wooden bar across the inside of the door, got under the warm covers, and drifted off to sleep, safe against the morning.

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The Put In The Museum Pants

Welcome, world, to the new year 2017.  In honor of this changing of the calendar, I decided to take on some good old Kaskikot cleaning-out-of-old-clothes-from-the-house.  Now in order for you to fully appreciate what this means in context, you must understand a few key points.

First, the clothes in question have been in rotation for anywhere from 2 to 14 years, and for the most part, they are only worn when I’m in Nepal.  Second, these garments are mainly used for activities such as chopping wood and hauling water and painting murals, and they are washed on rocks. Third, p1070133all of the family clothes are stuffed in to one large dresser with drawers that have been labeled with permanent marker by the kids (“Lora and Bishnu, Ama, Malika and Prem, Aidan and Pascl”) and the dresser is always so full you almost can’t open it, or close it, which is why every time I get the Lora and Bishnu drawer open and then shove it almost shut, Aamaa yelps out from across the room and chides me for leaving one inch of air space that will look irresistible to a mouse seeking fluffy shelter from life.

Next you must understand that nobody throws anything away, ever, under any circumstances, because it was once useful, might again be useful, is nicely made, contains a wrapper or other information that might be needed for future reference, or just because I don’t know let’s just keep it here wedged between the roof beams because we have roof beams.

And finally, since I am away for 5 to 10 months at a time, partway through, Aamaa religiously takes out the nicely stacked and folded system I’ve left behind to air out everyone’s clothes in the sun.  They are then returned to their airless purgatory in maximum disarray.

It is also notable that at any given time, most people in the household cannot locate the particular piece of clothing they wish to wear.  I spend most of my time at home either trying to open the Lora and Bishnu drawer, trying to close the drawer, or looking under piles for something while Aamaa cries out, “No matter how big the house gets, it just fills up with things and then we can’t find anything!”  FYI this is a two-room mud plaster house with a kitchen and attic, which was once expanded from a one-room mud plaster house with a kitchen and attic, but that’s the EXACT SAME THING my mom says about our large suburban abode in Bethesda.  So you can put that last point in to your “Deep thoughts on human life” file and stick it between the roof beams for future reference.

In any case, on Dec. 31, 2016, I made a decision, people.  Grandma was sunning in the yard while Aamaa tended to the buffalo, Govinda’s kids were over, an attempt to fold and restore clothes to the Lora drawer with Sulochana’s help was going nowhere, and in a fit of courage I committed to assigning a pile of my best clothes to mattress material.  (I mean it, if you think anything ever gets thrown out, let’s talk about used-up pens and “good” empty cardboard boxes before we start wasting perfectly good 14 year old clothes.)  I handed my camera over to Sudir, and he and Sulo stationed themselves to document these items for posterity.

Now then, with no further ado, I present to you the parade of Useful and Sentimental Clothes.

Item 1: The Mural Surulwar

Mural, White Paint - Me

The very first time I came to Kaskikot, all the way back in October 2002, the volunteer agency took me to a tailor and I had two outfits sewn.  I wore them constantly during my first two years, including through the painting of two murals at Sada Shiva Primary.  One top frayed out of existence a few years ago, but these two outfits are mostly still in circulation for both sentimental and practical reasons: they became my go-to outfits for mural painting.  This pair of pants, however, is difficult to wear in pretty much all circumstances.  Bye bye special beige painting surulwar.  We’ve walked so many places together and you’ve had so many kids I love on your lap.

Item 2: The Elastic Bathing Lungi

Fortunately I don’t have a “before” photo of the bathing lungi.  But it too is a lifer: it has been bathed in for 14 years.  In fact, I think I inherited it from another volunteer that was leaving when I arrived in 2002.  Suffice to say that this little number is no longer appropriate for bathing, or really for anything except becoming a mattress cover.

Item 3: The Red Kurta I Stole From Bishnu

Round about my third visit, I started to wise up a little on style.  Anecdotal evidence suggests that when Nepali tailors sew outfits for white people, they just go huge and hope for the best.  We look like Yetis, but at least we can get in to these outfits.  As I became more interested in a fashion choice that wasn’t a mumu, Bishnu’s loosest outfits were large enough for me to get in to as long as I didn’t breathe too much.  This red top was my favorite and eventually I had it let out a little around the lungs.  When I wore it with some red pants I found, I felt like a princess, but then someone made the red pants in to a mattress, so I reverted to wearing it with the beige Mural Surulwar.  It then became covered in paint, and torn, but it’s had a great life on multiple Spero-Subedi women.

Item 4: The Put In The Museum Pants

I got these jeans for $10 at a discount mall in college, and they were my Nepal jeans for about 10 years.  They got patched in the crotch, the butt, around the ankles and in various locations where they caught on things here and there.  I took a lot of crap for wearing these pants, which Prem had coined the “Put In The Museum Pants” for quite a few years before I stopped wearing them.  I discovered them at the bottom of the Lora and Bishnu drawer, and I’m glad nobody throws things out here, because it would be terrible to think of these trusty pants in a ditch somewhere.  Unfortunately they do not fully qualify as pants any more at this point; they evolved closer to the mattress stage while still on me.  Since I’ve clearly enjoyed sitting on them quite a bit, I’m glad someone will have a nice night’s rest on them…like a museum, but lying down.

They will be next to this AAU Taekwondo Nationals t-shirt that I got in 2008; it had a rougher life once it moved continents.

Item 5: This one’s not my fault.

This is a kurta surulwar that belonged to Bishnu about 10 million years ago.  I was able to convince Aamaa that nobody is going to wear it again ever for the entire future of the planet until the sun explodes.  I tried to lower my arms for these photos but to no avail because the outfit was sewn with inexplicably tiny sleeves and indefensibly large and poofy pants for someone 1/2 my size.  Thank you for just being you, outfit that makes no sense.  You inspire us all.

Item 6: The One I Couldn’t Bear to Actually Give Up

Oct. '03

This is the other kurta surulwaar I had sewn for my first ever visit to Kaskikot.  I wore it constantly and the material appears to be more durable than bulletproof kevlar. I have photos of myself carrying grass in this purple kurta, teaching in this purple kurta, holding a cat in this purple kurta, going to a dental clinic in this kurta, and giving Mom and Aamaa a joint foot massage while wearing this purple kurta when my parents first visited 2003.  Purple became my symbolic color, and often when I receive gifts in Kaskikot they are purple if they are not edible.  The kurta, as you can plainly see, evolved in to my primary mural painting smock, and hasn’t been used in quite a while. But I still wear the dark purple pants around the house even though the crotch is ripped (YES, I have leggings inside, jeez) because the thick purple material is still warm and soft and because the Yeti sizing is perfect for lounging. I decided it was ok to hang on to these much-travelled and much-loved pieces of history a bit longer.  Maybe my great-grandkids will get a kick out of this getup.

So after we had finished modeling the upcoming mattress, we shut the dresser drawer, Sulo did my hair with a complicated formula of braids and safety pins, and we had a dance party with Grandma.

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Happy New Year!

No wait…one more for the road.

Cause I’m keeping the purple one.

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Tihar, Festival of Lights, 2003

 

 

 

 

Real Work in the ‘Hood

 

After our week of screenings in Puranchaur and Hansapur, I took our university teams up to Kaskikot. We didn’t arrive in until late on Sunday night, after visiting our Bharat Pokhari clinic during the day.  Everybody stayed in the hotel behind the house, but most people came down to hang with me and Aamaa and Hadjur Aamaa for a while.  We had tea, chilled in the kitchen, and of course I put some Henna on Neha and Justin.

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The next morning, we said bye to Karen and the Berkeley/UCSF crew.  It’s been so special hosting these guys, and we’ve all learned so much from them.  First of all, we had an immersion week in the science of oral health and nutrition, and also in research and evaluation.  But it was also so invigorating for our field teams to get to work with Dr. Karen, Dr. Madhurima, and the students they brought, and I can’t wait to see all of these guys later this spring out in California!

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Keri and Bethy are sticking around for another week, which began with a trip to Sarangkot to screen past patients and do a clinic audit, which I’ll write about in another post.  We came back to Kaskikot on Monday night so that after this marathon week, we’d have the next day to just hang out.  In the evening, we lay around in bed exchanging songs with Hadjur Aamaa.  She wanted to see some dancing, and Keri turns out to have an amazing workout mix on her laptop, so that kept Hadjur Aamaa solidly entertained for quite a while.  In exchange, she allowed us to teach her some lyrics from “Holla Back.”  This is Hadjur Aamaa learning to declare, “It’s my shit.” (Video credit: Keri.)

First thing in the morning, I put Bethy and Keri to work churning milk, while Aamaa bustled back and forth past us over and over again, saying we were going to ruin it, which was a possibility, and I replied that everything was going to work out just fine, the foreigner way.  Which basically gave Keri and Bethy the full experience of my life.

Next, of course, I commandeered the dentists carry to water in baskets, which was well worth it just for this fantastic piece of documentation.

What?  We needed a lot of water.

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We hiked up to the Kalika temple and had a photo shoot.  I’m not even gonna explain how this happened…Bethy was in the New Zealand military and has superpowers.  I just had a good photographer named Keri.

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We came home and spent a couple hours in the yard with Aamaa and Hadjur Aamaa shucking corn.  TBT to the time my family came to visit in 2004, and we shucked corn in the yard:

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Shuckin' Corn

Tomorrow we’re on to a school seminar in Rupakot, and then Salyan for another clinic audit.  But this was a pretty swell stop, in my unbiased opinion.

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Hope Against Entropy

(Editor’s note: apologies if you’re on my email list and receiving this a second time.  It won’t happen too often.  If you’re not on my email list, you should be!  Please write “SUBSCRIBE” to laura@jevaia.org).vision-nepal-global-exposure-workshop-088-2

Good morning from sunny Pokhara!  I arrived yesterday and enjoyed a nice homecoming tour of all my regular haunts. Since August, Pascal has rigged up a home-made antenna on the roof, Aidan’s other front tooth has finally come in, and the corn has been cut down in the garden in front of our office, replaced with new seedlings.  I absolutely love this season in Nepal – the cold, wide air, the clear mountain skyline which is obscured by fog during the monsoon, the evening snuggles with my nephews under warm blankets.  Tonight I head up to beautiful Kaskikot to see Aamaa.

photoI’m so excited to tell you about our plans for this winter.  After 10 years of chipping away at all this, we are just days away from a two-week collaboration with dentists, researchers, and students from Berkley, UCSF, UConn and the University of Puthisastra in Cambodia. It is a strange and wonderful feeling to be preparing for such a large and qualified group of visitors after so many years of working away with few outside witnesses to our efforts.  There are many great things wrapped up in upcoming this ball of projects.

The first is helping to implement a UCSF/Berkley study of oral health and nutrition in mothers and their children.  Our own JOHC field teams will get to work with the researchers to conduct this study in one of our villages.  The second project is training our technicians in some new techniques, which they’ll incorporate in to their sustainable clinics.  Third, we have the chance to bring dentists to our rural clinics for medical audits.  Believe it or not, after an entire decade, this will be the first time we’ve had foreign dentists come to visit our clinics.  

And finally, we’re going to pilot an evaluation of past patients who’ve been treated by our technicians over the years.  If you don’t think that sounds like Christmas, listen here! This means comparing the outcomes achieved by our local dental technicians to the results produced by fully credentialed dentists in prior studies of the same treatment techniques. img_3285 This is a HUGE step towards our goal of having Nepal’s national health care system adopt rural dental clinics in to all of its health posts. Why? Thank you for asking!  Because the main criticism is that community-level health workers aren’t qualified to perform dental medicine…even though that excludes millions of people from care.  But we’re making the case that, rather than write off local health workers, the medical field must find ways to properly train them to provide the best care possible in their settings.  And that’s what we’re doing!

Ok, so those are the technical points.  Now let’s talk about me organizing for fourteen people to show up next week from California, Connecticut, India and Cambodia.  We have a schedule, a budget, a training plan, hotels, flights, and t-shirts.  We’re doing our best to keep things under control.  But we are up against the entropy of Nepal, people.  THE ENTROPY OF NEPAL.  Pretty much anything could derail our plans and contingency plans: a wedding, a political strike, rain, someone’s grandpa dying, a forestry meeting, a buffalo falling ill.  A buffalo having a baby.  A traffic jam.  A flat tire.  Lost luggage.  Fog on Sunday afternoon.  Somebody decided to drive this point home for me at the recently renovated, lusciously carpeted arrival terminal in the Kathmandu airport, which has a new row of fancy kiosks for visa filing:

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On the plus side, sometimes fate works to your advantage.  Consider our office.  This fall, our landlord’s son got married.  The son received a number of couches by way of dowry.  They don’t fit in our landlord’s apartment, so I arrived to find them in our office, which now looks rather like a furniture store.  If you have any idea how much I have obsessed over the setup of our office, you will especially appreciate this stroke of….er….luck…

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Well, in solidarity, I think I’ll leave you there on the edge of your seat.  Except for sharing a photo of this year’s Race to the Rock, which was one of our best yet.  If you missed it, please consider Jevaia in your end of year giving.  After all, we’ve made it this far – through many political trials combined with road mishaps, fuel strikes, weddings, earthquakes, and baby buffalos – almost exclusively on the wings of individual donors, and here we are entering a very exciting new chapter.  Thank you for being a part of the ride with me and all of us.

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Waiting Out Rain

 

I’ve just arrived in Nepal, and the dust and diesel is shining on the streets of Kathmandu, stilled by summer rain.  Honestly for a whole decade I didn’t want to be here during the hot and buggy monsoon, but last summer I discovered that of course, like any season, the rainy time has a unique and indispensible magic.  The water clatters and pounds, washing everything and making us wait.  It comes down too hard to walk around or do anything.

Just wait.

It’s strange to re-enter this season which was so intense last year, when I arrived to a stunned and grieving city dotted with blue and yellow tents.  It seems that this country has basically just plugged on, absorbing the earthquake on to its pile of other messes, the unlucky people who lost the most – possessions, limbs, relatives – doing what people do: surviving.  The next day just keeps coming, and for anyone whose life wasn’t irreparably altered, that catastrophe isn’t the topic of conversation any more.

Things for me, however, have changed a lot.  When the earthquake threw us in to the ring with the big multinational agencies, it helped show our tiny staff the value of our community-level expertise.  This spring we launched our dental project in Lamjung district where we did earthquake relief.  

In the fall I also started a Master’s Degree in social work, and I’ve been able to incorporate a lot of what I’m learning in to our program right away.  Guys, seriously, a lot of this stuff I’ve been trying to explain has an entire body of theory and practice associated with it called human rights!  People are doing rights-based health care at the United Nations!  I found out I am basically an expert on rights-based dental health care in rural Nepal…WHO KNEW?!  (Who becomes an expert in that by accident?)

Ok, just wait.

Also, a few years ago, we thought we should do some baseline surveys in our villages.  Not too focused on the concept of sample sets, we thought we’d survey ALL the households…3,374 of them distributed over various hills and more hills, actually.  Because as long as you’re doing it, do it, right?  I wrote a survey with input from various people, we trained some high school students as surveyors, and just last week – 2 years later – we completed a 58-page report on this survey (thanks, Sarah Diamond!).  Come to find out there’s very little current research of this kind in Nepal, and this report is a thing.  I am taking it around like my visiting cousin and introducing it to everyone.  Here is a picture of our report.  Let’s call her Cousin Mae.  She’s in color, with pie charts and clones and everything.
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All this has come together in a very cool way.  Over the course of this year, three major U.S. Universities have developed a potential interest in partnering with us for research or medical collaboration.  It feels awesome!

So with all that in mind, this summer, I’ll be doing a few things:

  1. Visiting each of our ten clinic locations (past and present).
  2. Establishing a Rural Dentistry Coalition in Nepal to advocate for policy level recognition of our model, so that rural dental clinics can be established systemically for all villages through the national health care system (eventually).
  3. Laying groundwork for future research partnerships (hey, positive thinking!)
  4. Revisiting some of the places we did earthquake relief  (unforgettable)
  5. Planting rice with Aamaa and getting myself in to as many embarrassing situations as possible (inevitable, really).

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I am very ready for all of this following knee surgery in February.  At physical therapy, I do a warm-up each day where I put the treadmill on “maximum incline” of about 20 degrees and walk for 10 minutes.  Yay!  Now I am here and our newly launched Sindure Clinic is reached by a 5 hour hike.  That means physical therapy + dental clinic supervision at the same time.  This is not a deal you can find just anywhere, people.  Take note.  It’s not even a limited-time offer.

I’ll sign off with a few lines from a recent article in the Guardian that I really appreciated.  It can be very hard to stay motivated doing this this kind of thing, even though it’s true I sometimes get to pretend my iPhone is a grain-sifting woven pan and put it on my head, and we can reliably say it’s not a cubicle job.  But the pervasive story of the American (Social) Entrepreneur is hard to see past, with its celebration of saviorism, speed, and simplicity…as if there’s an equation to solve or a prize at the end.  But society doesn’t work that way, and often building things is just hard work.  You only stick out when you screw up; most of your ideas are 78% wrong the first 8 times, but there’s something good in there; when you disappear, that means it’s working.  If being humbled isn’t exalting, you’re in the wrong business.  I decided to tape this bit up on my door:

“I understand the attraction of working outside of the US. But don’t go because you’ve fallen in love with solvability. Go because you’ve fallen in love with complexity. Don’t go because you want to do something virtuous. Go because you want to do something difficult. Don’t go because you want to talk. Go because you want to listen.”

And then…just wait.

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Moving Still

 

An exciting week of office work led up to this year’s Maghe Sakranti, which always seems to coincide with some travel experience, astrological event or, in this case, Aidan’s 8th birthday, IMG_3858which, if you think about it, is the same thing.

The main topic of my conversation with Aidan and Pascal since I arrived two weeks ago has been black forest cake. Birthday cake came in vogue in Nepal about five or six years ago – as far as I can tell, it was discovered on TV, and has been translated in to an epic mashup of east-west-birthday-wedding-puja sort of candle-lighting experience that is not to be missed. Anyway, after a hectic week of office meetings and shopping for light fixtures, I caught the last bus up to Kaskikot on Thursday to head home for Maghe Sakranti with birthday cake for Aidan.

Because of Maghe Sakranti, the bus was packed with people heading home to Kaskikot. “Kaskikot packed” means that there is no standing room left inside the bus, and additionally, the people with poor tactical skills who’ve sat in aisle seats have someone’s butt in their ribs or armpit or smushed directly onto their faces. Most definitely, all people with seats are holding either a random package, bag of tomatoes, or someone else’s child on their lap.

As a master bus-rider, I possess a hierarchical mental catalogue of exactly which nooks and crannies make for a tolerable ride relative to a shifting set of variables. I approach “Kaskikot packed” with the focus of a honing pigeon.

IMG_4380It is immediately obvious that today is a top-of-the-bus day. Air is high on my list of prioritized variables, and all of the strategically located nooks and crannies inside the bus are taken or have been invaded by the limbs and odd angles of people who are technically not using these spaces. It’s a total free-for-all. For some reason, Nepalis have an awe-inspiring tolerance for this kind of physical disarray; I on the other hand, while happy to fit myself in to a pretty small nook, need it to be evenly balanced on all sides and protected from random entry, no matter how small my zone is.

Never fear, this is situation is accounted for. I hand Aidan’s cake to the Ticket Bro – all the guys who collect money on buses are Bros of the first degree, with wiry bodies and saggy pants – and clamber up a metal frame to the roof of the bus. The Ticket Bro, who knows me well (ok, I stick out, and besides I’ve provided many unreasonable entertainment opportunities for the general bus-riding public), hands Aidan’s black forest cake up to the top of the bus. I wedge it in flat between a box of beer bottles and a floppy sack of mystery items that’s soft enough to sit on. Soon I too am wedged in evenly on all sides by other passengers, which is exactly the way I want to be. I bend my knees protectively over the cake and we lurch away. The climb to Kaskikot isn’t a long distance in miles, but it’s all up, one switchback whipping around to the next.

The air begins to rush past and in settles a familiar, soothing reeling. The bus is climbing and honking, people are sticking out every which way, we are ducking the occasional branch – FWAP! – as the trees whoosh by. A wave of exhilarating calm envelops me, soft and malleable.

There have been three accidents on this bus route since in the thirteen years I have been riding it. Each time there is a bus accident, everyone including me swears off this road, these good-for-nothing-regulations, these drivers. The police crack down on the rules; buses are improved and added to reduce passenger load. The new bus I am on today looks like a greyhound, with upholstered reclining seats. But inevitably, the people turn this bus in to a wild beast. It’s inertia.

IMG_8687It just can’t be avoided.

Which, in a way that’s hard to explain, is why it’s so calming. Like in many poor countries, there is no illusory order here: everything is paint splatter all the time, and nobody’s pretending it’s something different. Everyone is hanging on to the spinning planet with one finger, and it is still working, at least until it’s not. Over time you realize that you too are paint splatter. You might think you aren’t now. But when order falls away, all of us are wilderness.

After the tragedies that have happened on this road, I know I shouldn’t admit it’s thrilling to catch the bus just in time, climb up to the roof, and duck branches while people talk on their phones and sway side to side eating peanuts like we are on Amtrak. But it isn’t a thrill because it’s dangerous (for the record, in purely statistical terms, driving on the beltway is just as dangerous)… it’s a thrill because it doesn’t feel dangerous. It makes sense. Because we are all flying through the trees together; because chaos and order have switched places, and everything fits despite the appearance of anarchy, and we are not dead yet.

In the mean time, some racing tiger inside of me catches the trees dashing by. I can feel the grumbling pavement even from up on the roof of the bus, and the Ticket Bro heedlessly climbs up and down the side of the bus like a chimpanzee while it is whirling around a corner. The valley below us recedes, and that wild thing in me, with a racing companion to match its speed, is still.

I’ve found this pocket of tranquility in other fast places.  When I catch a seat on the back of a motorbike and take off, zipping up my jacket. When I’m flying down a path in the trees with a sickle and rope in my hand, my flip flops smacking tap-tap-tap-tap on the rocks. Occasionally I have whirled into this thing when jumping on to the subway in New York, snagging a tread of some larger tapestry in the crush of a ten-million-person city with a trillion little shards of disorder that still fit in to something bigger.

In the subway, this is a private knowing. But on this bus, the miracle is out in the open for everyone to see: unruly, electric, FWAP! It’s still working.

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As we climb the lone road up through Sarangkot and closer to Kaski, people filter out at their homes, lugging their bags and boxes and children. The Ticket Bro clambers up and tosses bags off the top of the bus, and our resting props are gradually removed. My stop is the last stop. Soon all the other passengers decide to move down inside the bus, but because I am a honing pigeon I know that none of my approved nooks inside are available yet, and I stay on top of the bus, alone with Aidan’s black forest cake. I lie down so I don’t have to worry about oncoming branches, and crowd myself in with boxes and sacks to block the breeze, and float up the road on my back, watching the night sky roll by. My thoughts spiral in and out, moving still.

Of course, I can’t see where we’re going from this position. No problem. This road only leads to one place.

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