At the Base of a Tree

 

The cicadas came when I was five
behind the school yard.
I put my finger on one
and then I picked it up
it was like a fig, dark and rough.

At five cicadas were interesting, like figs.

Now I am much bigger
friendly, the little goat nuzzles my shoulder with his warm snout
soft, we are alive, together easily.
And then I press my eyes shut
as I capture the insect that has invaded this carpet, which is mine
because I own it.

Sometimes I wonder how I can find my way back
from the pliant kid to the figs to the cicadas, captivated
with all their legs, their slick ribbed shells, all their songs enchanting
the school yard
all chirping and chirping tickling my ears until my ears overflowed with music
amid the crunching leaves and delicate wings
a symphony, a society, a universe blossom
after seventeen years of silence.

Sometimes I wonder
what we are afraid of
why we crush things, bugs and leaves and oceans and people
when I was five, I used
just one tiny finger
to say hello.

*

 

The Idea of the Mountain

 

I started searching for Mt. Everest abstractly.  It wasn’t exactly about the mountain; it was about the idea of the mountain.  With my college books lying next to the bottom bunk, I would retreat in to stories about mountaineering and daydream about exploration. I collected pieces of Asian culture without dwelling on their origins or innate meanings.  These articles and wanderings were satellites of the idea of the mountain, which I assigned to Mt. Everest, and the idea of the mountain was in Nepal, and therefore going to Nepal became inevitable.  But I didn’t even really aim at Mt. Everest. I just got out of bed and aimed at Nepal.

This is how, on a hazy August morning in 2001, I found myself in Kathmandu with a group of foreigners, looking for things to do.  For two weeks we had been traveling to different parts of the country learning about medicinal plants. This was long before I would develop a focused interest in natural medicine, so that detail was just a bonus. Actually, the trip was the result of me Googling “Go to Nepal, August 9 – 22,” which was when I had a window available to travel after the competitive summer rowing season.  But I had not accounted for the little-known and unlikely fact of summer. The monsoon fog, as it does, had blanketed the sky for two weeks, perpetually pressing heat and moisture against our bodies and blotting out the entire horizon.  Now we had a few days to entertain ourselves at the end of the trip.

“I want to see mountains,” I suggested.  We were really so close.

The travel agent brought my new friends and me tea and told us we had options.  Theoretically, the options involved flights.  However, the airplanes might or might not end up taking off, the travel agent cautioned, what with the blanket of clouds obscuring the whole atmosphere.  My friends and I tried to sort out the weather, and things.

There was a tower in Nagarkot, said the travel agent.  A lookout tower.  I inspected my guide book, and my guide book said I could bike to the lookout tower in Nagarkot.

“I’m going to bike to the lookout tower in Nagarkot,” I announced.

At the suggestion of the travel agent, my friends and I refined the plan further.  We would first bike to the old city of Bhaktapur about an hour away, and from there, I would continue biking up to the lookout tower in Nagarkot.  This plan made sense to me because a) it was in my guidebook and b) the travel agent was able to rent us some bikes.  Nepal-bikes, if you will.  They had wheels and gears and hand-brakes and they were heavy as hell.

We woke early the next morning and set off for Bhaktapur.  As I clicked along the road, I felt a swell of freedom.  It reminded me of the first solo drive I had made, to the ice rink, after obtaining my drivers license.  The past two weeks had had various ups and downs and dramas and mishaps, but the main thing was that I’d been packed in with a group of other foreigners and we’d been on a schedule and somebody else was in charge.  Suddenly here I was on two wheels being powered by my own legs, on a road that led to the idea of the mountain.

If you ever get to visit Nepal, you must visit Bhaktapur.  Its name means “the place of devotees.”  The area is located on a historic trade route between India and Tibet, and is jammed full of gorgeous architecture, art and cultural life dating back to the 1400s. Wonderfully preserved temples and stupas surround a tidy public square, whose graceful wooden carvings curl up like a garden that sweeps the gaze from one frozen deity to the next.  It is a place that makes you want to bow your head for a moment to whatever all this is…not because it’s religious exactly, but because it feels bigger than you. Because it is old, and earnest, and fully itself.

We took photos.

My friends left.

I clicked over to a small shop, parked my bike, and met a woman and her daughter.  Something had caught my eye…a sheaf of heavy lavender silk.  I asked to hold it, and it slid cool over my hands, a whisper of winter hiding under the heavy roof of summer.  I turned it over and moved it from one arm to the other.  The mother and daughter draped it over my shoulders and wrapped it around and around my waist to show how it would be worn.  I asked the price.

The material was intended to be made in to a sari, which, needless to say, was something I would never put on.  I set it down, and picked it up.  Eventually, I reached for my guidebook, checked the route, and left without the lavender silk.  Now I was fully alone.  I rode down a long hill and pedaled laboriously up another.  As the heavy biked clicked toward Nagarkot, Bhaktapur began to disappear behind me.

I stopped the bike.  I turned around and biked all the way back to Bhaktapur and bought the lavender silk from the mother and daughter.  I folded it carefully in to my backpack and set off again for Nagarkot.

Beginning early in the day, we had not been particularly focused on the schedule.  It was now about 2:00.  And something else I ought to mention is that only about ten weeks prior, on June 1, 2001, nearly the entire royal family of Nepal had been massacred by the crown prince, and a stunned hush lay over everything.  A Maoist insurgency that had started in 1996 was also gathering force.  It would crescendo around 2004 and topple the monarchy in 2006.  But in August of 2001, while I was biking alone from Bhaktapur to Nagarkot at 2:03pm, everything was humid, and pregnant, and subdued.  It is only now, looking back fifteen years later, that I feel the uncertainty of that stillness, stretching out across the emerald for miles and miles around me on my tiny bike.

As the afternoon progressed, the pavement ended and the switchbacks started.  The heavy-as-hell bike was now clicking over the back of a dragon, lumpy and steep, the first of what would be many, many, many Nepal Road Experiences (NREs) in my future.  With increasing frequency, I had to dismount completely and haul the heavy bike uphill with my arms.  In addition to unfortunate lack of planning around time, I had only two granola bars for food.  I might have bought some snacks in Bhaktapur, but now I was in the middle of nowhere.  This was also before cell phones, and in fact and even land lines in 2001 were commodities mainly rented by the minute at shops or small businesses, most of which were in cities.  So, to recap, I was in a completely foreign country on a rural road with a guidebook and a heavy bike and no food during an insurgency, a few weeks after a royal massacre, in a place I knew nothing about except for stories of Mt. Everest written by North Americans and Europeans.

“Tower,” I thought contentedly, and clicked over another crater in the road.

I look back now and the little part of me that the world has worn down scolds her for this.  For the presumptuousness and irresponsibleness.  But even now, most of me is still enchanted by the idea of the mountain.  That is who she is, even all alone on a road.  She doesn’t realize she’s going to write this story later, and she is not performing.  She is biking on a road because she is on it and there is a lookout tower at the other end.  Hopefully.

As dusk began to fall, I checked my guidebook more frequently.  It did seem mildly alarming that I had no idea how far I was from civilization.  What to do?  Well there was, after all, only one road, so if I had taken a wrong turn I had inevitably biked to a different district altogether, which was a problem far outside the reaches of my ability to solve by worrying.  No use mulling over that.  Soon buildings started appearing at the roadside and it looked like, possibly, I was somewhere.  Just as darkness was confirming its authority over my climb, I came upon – true story – The Hotel at the End of the Universe.

However, the Hotel at the End of the Universe was not near the lookout tower, and my guide book said there was a hotel near the lookout tower.  So, and don’t ever ask me to explain this, I biked past the Hotel at the End of the Universe in to full-fledged night.  Uphill.

It was after 9pm when I found it.  In rural Nepal in 2001, 9pm is the middle of the night.  I walked in to the hotel that my guidebook had suggested, sweating and with every muscle in my body limp.  Two young men emerged behind the hotel counter and they assigned me a room.  The kitchen was closed for the night and it was too late to make dinner.  Oh well.  I had some of a granola bar.

“Please wake me at 5am so I can go to the lookout tower,” I said.

“If the weather is good, we’ll wake you, miss,” the hotel guys said.  “But it’s usually cloudy.”

Nope.  “I want to go either way.  Will you make sure to wake me at 5am?”  (Besides, maybe it wouldn’t be cloudy.)

“Of course, miss,” the hotel guys said.

I woke up at 5:15am.  No hotel guys.

I jumped out of bed, paid for my room, and got back on the heavy-as-hell bike.  I followed the directions in the guide book, and just as the sun was creeping over the horizon, I came upon…THE TOWER.

LOOK AT THIS TOWER.

Yes, this is a lookout tower made of sticks.

Which only strikes me as incredible now, much later, on behalf of the little part of me has been chastened and worn down.  At the time, I thought, quite happily, “This is a lookout tower.”

I climbed up the lookout tower, which was advertised in the guide book to offer a panoramic view of the Himalayas surrounding the Kathmandu valley, sweeping giants, famous the world over, visible from THIS STICK TOWER that I am climbing.  The top of the structure was rickety, like a platform treehouse.  I stand up.

There are clouds as far as I can see.  Not a mountain to be seen anywhere.  Silence for miles and miles and miles.  I sit down on the tree-house platform.  I am here.  I float out over the clouds, newly lit by morning, silky and cool, endless.  I take a photo.  For a few minutes, these are my clouds.

“This is going to be a good story,” it occurs to me vaguely.

Then some Nepalese tourists turn up, and they take my photo.  It will be a prized possession.  But soon the platform is crowded, and the floating is over.

Now all I have to next do is get back to Kathmandu.

I climb down the tree-house-lookout-at-clouds-tower.

We are going downhill.  I run my finger down a page where my guide book says that up ahead I can either take a normal road, or another road that is a bit less organized but somewhat shorter and “good fun.”  And so help me God, nobody will ever no why, but I decide it is a good idea to take the Good Fun Road.

The Good Fun Road is the dragon’s back I climbed up, now with measles and more speed.  So basically, I can barely ride on it at all.  Every time I try to get the heavy bike going, a terrifying hole in the dirt screeches in front of my tire and I have to slam on the hand breaks and I nearly topple over.  I end up walking my bike for most of the Good Fun Road.  “This is good fun,” I think, “and I should write my own guide book.”

I eat the last remaining bite of granola bar.

After what seems like forever, I come to the valley floor.  It is hot again and I am drenched in sweat. As I bike through the valley in what I certainly do hope is the direction towards the tourist area of Kathmandu where my friends are waiting, I pass a school and the Headmaster flags me down.

I end up spending about an hour at the random school in the Kathmandu valley.  I play with the kids and talk with the Headmaster.  I am oblivious at the time to the certainty that the Headmaster is hoping to make a connection and cultivate me as a patron, and this works to my advantage because I am not resistant or cynical.  I am playing with kids at a school in Nepal because it is on the road associated with the idea of the mountain.

For many hours afterwards, I am not one hundred percent sure that I am on the correct route back, although I do know that I’m overall aiming at Kathmandu.  Gradually, around 4pm, the streets start to narrow into corridors, clustering together in the traditional Newar style of Kathmandu, and then, miraculously, like an actual fuck-all miracle, I recognize where I am, back in the middle of Thamel. Vendors are selling tiger balm in the streets, tourists with dreadlocks and tie-dye are browsing knockoff North Face gear.  My friends are near here somewhere.  We have a hotel we are staying in.  I bike to it.  It is 5pm.  I’ve been gone for about 36 hours.

I unpack the lavender silk.  Sixteen years later, it is still carefully stored in wait of a special occasion.

“How was the tower?” everyone asks.

“Cloudy,” I answer. “There were a lot of clouds.”

Outside, night is falling fast.

“So when is dinner?”

*

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Other Skies

 

The first thing I have to do is convince Aamaa to wear one of her new kurta salwaars. She has spent 60 years wearing a more dignified sari and she’s shy to dress like a girl. I insist she will be a lot more comfortable on our 24 hour journey with trousers on.

Bhinaju and our cousin Laxu come to the airport with us. As we stand outside the door to the airport, again there seems to be a strange inversion of everything. We say goodbye and move in to the 24-hour netherworld of air travel, but the moment when I detach like a raft in to the sea, alone and timeless until landing back in the rest of my life, never comes. Instead, all my focus is on Aamaa while we pass through various inexplicable passages and security checks, making goodbye phone calls along the way.

We end up seated with Chandrakala, a charming woman probably in her mid-forties leaving Nepal for the first time to go be a maid in Greece. I explain everything from the seatbelt to how to order drinks and use the bathroom. I set up their personal TVs with films for them to watch. They both look disapprovingly at the glass of wine I ask for, so I make a point of asking each of them repeatedly if they would like some wine during the flight. Aamaa has a million questions. Is it night or day? Can I put my passport away yet? Are mom and dad awake now? I don’t know. I’m used to not thinking about any of these things.

We spend the flight talking with Chandrakala didi and when we get off the plane in Doha in the middle of the night, the three of us stick together. The Doha airport will be the first thing we encounter that is a developed country version of the comparable thing in Nepal; Tribhuvan International Airport in Kathmandu only supplemented its two small departure terminals a few years ago and the waiting area is decorated with rows of cheap, attached metal chairs that can be dragged about in units of three. The Doha airport is a dazzling maze of high ceilings, moving walkways, shiny things, monitors, duty free shops where beautiful women are illuminated by fluorescent lights, and of course, the enormous random nauseous teddy bear that is taking up space at the center because space needs to be taken up. It occurs to me how strange it is that in modern times, the first thing an immigrant from a developing country will see in a wealthy country is an airport, which is one of the weirdest environments modernity has to offer.  For example, Aamaa couldn’t even think of a question about the following dinosaur under a passageway in the airport:

I lead Aamaa and Chandrakala didi to the sleeping room and we all try unsuccessfully to doze off. Aamaa and I both end up stretched out on the floor instead of the awkward lounge chairs, and I appreciate how we must look, sprawled out on the ground in a room full of disciplined travelers using the chairs.

We go to the bathroom and use an automatic hand dryer.

By now we are all aware that we’re going to have to abandon Chandrakala didi to the Doha airport when our flight leaves for New York. I take us out to the nauseous teddy bear where a bank of monitors will show Chandrakala’s departure gate when the time gets closer, and explain to her three or four times how she’ll navigate the list of English symbols. Chandrakala didi is literate but uncomfortable with English, and if you don’t know what a gate is or how an airport works, reading the monitors is just one obstacle (how do you even know you’re supposed to read a monitor?). There are many Nepalis working in the Doha airport and we chat some of them.  Chandrakala didi will be able to ask someone if she needs help, but it still feels wrong to leave her alone in the glowing Doha airport with its mysterious halls and signs and statues. Eventually we have to say goodbye, and she sits outside our gate watching us go.

Every time Aamaa and I have to pass through a checkpoint or security screen, the international airport staff first assume that we aren’t traveling together, and then want to know what in the world is going on. Aamaa has all the looks of a first-time traveler from a traditional part of Nepal, and in addition to the fact that I have all the looks of a private-school educated white suburban yuppie from Connecticut, I tower over Aamaa by about eight inches.  Since she doesn’t speak English, I usually have to translate instructions.  After figuring out that we go together, most people assume I am her daughter in law, which would explain how I know Nepali and why I’m the one shepherding her on an overseas journey. “This is my daughter!” Aamaa giggles as she corrects enthralled security guards and airline attendants. We make our way from counter to counter and checkpoint to checkpoint, crossing the globe in a little bubble of delight that we make no sense.

Finally we board our fourteen-hour flight to JFK. We get incredibly lucky with an empty middle seat on a mostly full flight, so we’re able to take turns properly sleeping. I was worried about how Aamaa would handle strange food made by unknown people, but she mostly exclaimed over amount of it, approaching each tray with curiosity and then asking me if I wanted to eat her pats of butter because she was full from the continuous flow of food.

“That goes on the roti Aamaa, you don’t eat it by itself. It’s like ghee.”

And then the next tray would come and she’d ask me if I wanted the butter again.

We peered out the window at the rolling white puffs lolling off to infinity and Aamaa asked if the clouds were the ground or the sky.

“The sky,” I said.

“Does this plane also go to the other skies?” Aamaa asks, long after we’ve lost track of night and day.

“Other skies?”

“They say there is this sky, and then a sky above this, and then a sky below this one,” Aamaa says. “I don’t really know much about it. But I was wondering if this plane goes to the other skies.”

I gaze at her.

“I don’t really know,” I say. “I don’t know much about it either.”

Many trays and questions and naps and pats of butter later, we break through this sky and New York comes in to view. Aamaa reaches behind her for my hand as she stares out the window, and with a dramatic rumble, the plane sets us down on the ground.

*

Another Room in Heaven

For someone who has spent 15 years in Nepal, I’ve travelled very little in the country, choosing instead to burrow further and further in to a single community, a single home, a place where now twelve year olds have always thought of me as a part of their world. It was only a few years ago that I suddenly thought: I’d like to explore. I’ve started stetting aside a few days every few years to go climb out on a spine of rock some place, in some location that percolates on a back burner in my mind until it bubbles over and asserts itself: this is the time, go here.  Then life adapts around it.

The Way to Muktinath

One way to travel is to go to see things that are new and unfamiliar and exciting or challenging – like that time I went to Murad Khane in Afghanistan, or when I floated in the Dead Sea, or the month I spent in New Orleans doing oral histories for StoryCorps after Hurricane Katrina.  But this is something else, a magnetic pull to a place that is already inside me, a dot on a primal map created a long time ago.  In 2013, Prem and I went to Mardi Himal by a little-traveled route comprised largely of goat trails snaking along a blade of snowy ridge that rims a basin of Annapurna giants. It was winter, everything wide and blinding, the sunrise spilling pomegranates and mandarins and pineapple juice all over the jaws of the cold earth. When I got there, it made sense.

Now it is summer. Muktinath sits north of Pokhara between Lower and Upper Mustang, a stone’s throw from the Tibetan border, and houses a famous complex of Buddhist and Hindu temples. For some time now I’ve been pulled north, toward the areas of Nepal influenced by Tibetan culture, and also where the landscape climbs up and stays high, where the trees fall away and leave a desert mountainscape that stretches off to the Tibetan plateau, a mystery, an uncrossable border. In the winter even local residents often come down from Mustang to the valley to escape the unforgiving snow and cold.

Prem Bhinaju and I met a bus by a curb in Lakeside early on Friday morning. It was headed to Jomsom, which is only a 15 minute flight from Pokhara, but unlike crystalline winter, the summer is dense and foggy and flights have not come or gone from Jomsom in a week. That leaves us with what should be a ten hour bus ride. You know where this is going.

There’s the obligatory 2.5 hour delay when a bearing that has to do with steering left needs fixing, and magically, the Bagloon Highway produces an auto shop strewn with hulking shells of buses and tractors and cars and unidentifiable transport components, so we pull over to fix the bearing. We set off again around noon under ten-ton heat, but I am relieved to be on the move with my day pack and with Prem, my most familiar travel companion. The road winds upward and the Kali Gandaki River drops below us, black and rumbling with coal-colored silt that will settle by the time the torrent gets to in Pokhara, where it is called the Seti Gandaki, or White River. The road becomes a road story that I can’t tell because my mom reads this blog, but even passengers local to Jomsom are praying and squeezing their eyes shut while we loll side to side on a road that, from afar, looks like a child dragged a pencil across triangles of high mountain forest and then got distracted with a sandwich. In the end, aside from knuckles white from clinging to the seat in front of me as if that can save me from a long descent in to the Kali Gandaki – one of the deepest gorges in the world – I come out fine. Prem and I arrive in Jomsom at 7:30pm.

I know I’m in Nepal, but Jomsom looks like a ski town and I have to keep reminding myself that this is Mustang. We clomp along a stone-laid main street with quaint local shops and hills rising up behind them. In the U.S. we’d call the hills mountains, but in Nepal, the mountains are the sheared white rocks twice as tall that are currently lost in monsoon cotton one row further back on the horizon.  It is hard to believe anything could tower over the already looming hills – I remember thinking the same thing at Ground Zero, knowing that Lower Manhattan’s massive skyscrapers had been dwarfed by the Twin Towers.  It is impossible to imagine land up in the middle of the sky, but I know Diligiri is there, behind the clouds, a thousand stories high.  We settle in at a hotel.  Local plum wine.

Our walk to Muktinath starts the next morning and takes two days, one long day up and one long day back. We walk along the Kali Gandaki in a landscape created contradictorily by the upward smashing of tectonic plates and the downward gouging of receding glaciers. The result is a desolate, heaving geometry, eons of history piled atop one another and laid bare straight from river to the sky. Dwellings impossibly carved out by people who once migrated southward from Tibet are clustered in the sweeping rock face, and the occasional modern village is a patch of irrigated greenery in a borderless expanse of brown. This should be the province of giants, but we are just tiny people, our feet sliding over bazillions of even tinier rocks, where fossils casually present themselves because nobody has owned them yet. They were once underwater and they have been here forever and ever and ever.

The climb starts. No houses, no villages, no ancient dwellings for hours. Prem Bhinaju finds a fossilized creature with gold flecks in it. Uncharacteristically , I haven’t exercised in weeks and my legs feel like playdough, but it’s cool. I have an actual fossil in my pocket.

We arrive in Muktinath around five, eat something, and rest for a while. Then, because tomorrow will be a long day and we’ll be pressed for time, we go out to explore the area around the outside of temple complex.  That will leave us time to go to the temple itself in the morning.  I leave most of my things behind except for my SLR camera and rain jacket. Now that it’s evening a slight mist is drifting downwards, uncommitted to getting us fully wet. Dusk turns dreamlike and enchanted.

Prem says we’ll walk up to the place where the path to Thorong-La pass starts. We would need a whole extra day to get to the 5,416m pass, but there is time, at least, to lay eyes on its direction. We circle the wall of the temple complex, and two nuns are just leaving, one wearing hot pink sneakers. I ask if the nuns if they were born here in Muktinath and they say yes, and even though that is a completely unremarkable fact, to me it seems incredible because I am so far away from the world I know. They bustle off to the nunnery.

We climb quietly past parts of the complex wall that have cracked and broken in the earthquake two years ago, and emerge in a widening field that slopes upward and disappears in to a fog. “The way to Thorong-La,” Prem says. He says we are at 2800m. I say, obviously, we should walk up another 200m, so even though evening is turning denser, up we go in to the haze.

Some ways ahead, a walking bridge is slung across the gorge to our left and we climb until we reach the concrete block anchoring the bridge to the ground on our side of the river. Without any comment, Prem sits and I follow, and then I lie back and stare in to the unremitting white sky. No variations in density or color, no dragons or bears or wizard faces, just an endless, depthless white.   Further up the green rocky slope, on the other side of the embankment of fog, is the path to Thorong-La; below us is everything we’ve come from.

Quiet.  I am filled with a profound gratitude for Prem’s company, his silence, the easy way we can walk up to this concrete block and sit on it at dusk and do nothing at all.

After fifteen minutes, I decide to cross the bridge, for much the same reason we walked up 200 meters. We’re on one side of a bridge, so it should be crossed.  The first step out over the edge ofthe gorge sends a thrill through my nerves, and then out I plod out over the wires, which undulate a little with my steps, until I am standing directly over the water gushing down from the high mountains.  A thunderous cloud of sound rises up through my bones and engulfs my senses; I can barely hear my own breath. It feels like the river is running right through me, and when I shout or chant the water picks up the sound and rumbles away with it taking my voice down down down down to all the places we were.

The instant I step back on to the concrete block the mountain silence envelopes me again; magically, the roar of all that water is audible only between the walls of the gorge. Prem takes a turn on the suspension bridge, and then we head back down the green slope and circle around the other side of the giant temple complex.  Night is creeping in slowly, as if stalling a little to give us just enough time to see one more wonderful thing.

We come to an area of the hill I have been viewing from below in the mist: rows and rows and rows and rows of prayer flags strung behind small white structures scattered high up on a hill. I studied Tibetan Buddhist funerary rituals for a course I took this year, and throughout the evening, my sights have been trained here. When we passed the nun in the hot pink shoes, I pointed this way and asked if it was okay to pay a visit. She said yes. Prem and I make our way over the hill toward the fluttering prayer flags.  He walks down toward the road, and with barely a word, I go up.

I’m expecting to see signs of sky burial, but I realize quickly that this is a land burial site. Everything feels unified and still, but also light and high. There are small cairns everywhere, placed for passed spirits to find refuge to heaven, and as I walk between the grave sites, it suddenly occurs to me to ask Prem, still at an audible distance, if he thinks I could build a cairn. Why not, he says, and sits down on a rock facing out over the endless prehistoric topography while I climb higher up and find a patch of ground abutting the faded squares of color calling tut-tut-tut as the wind tugs them from their strings.

Prem never asks why. He just waits.  And when I have built it, a stack of stones among all the stones and fossils, another room in heaven, and when I have sat over it and cried for some minutes, I walk down the hill and we leave.

Night falls at last.

 

*

 

Between the Corn and the Millet

I try to imagine Aamaa’s life as it was back then, when the water springs in Kaskikot weren’t concrete taps but delicate pools that stirred up silt if you took from them too quickly. As a girl and young wife of 13, she sometimes had to sleep overnight in line while other women had their turns gently lifting the water jug by jug. By the time Aamaa was 22, she was a widow with two young girls of her own, and it would still be years before a bus came to Kaskikot, or a door was put on the entrance to her one-room house.

There have been many impossibles in Aamaa’s life. She raised two educated daughters who could split wood and carry twice their weight by grade school. The civil war started, but it was elsewhere, in other villages. The electric mill came; the bus came; the tourists came; other people converted their houses to homestays and restaurants. Aamaa’s house is off the road in a cul-de-sac of mountainside that nobody wanders past by accident. Even after some foreigners bought the patch of land on the hill behind the house and built a fancy hotel there, passers-by from Korea and Israel and Japan and Australia hiked past with their eyes straight ahead on the sprawling white peaks, rarely looking down to notice Aamaa and Didi and Bishnu there in the sunny yard, drying grain.

The likelihood that I would wander through the door one day has always seemed both insane and inevitable.  And over the last fifteen years, I’ve mostly thought of my life opposite Bishnu’s.  We were the two girls born at the polar ends of the universe, the ones who looked at each other and thought, what if I were her?  She’s been in the U.S. for eight and a half years now, while I spend significantly more time in Nepal than she does.

Aamaa was always more like the soil: everywhere, earthy, constant, essential.  She has all the nutrients and produces all the food and water and shelter.  Aamaa keeps the house alive, the field and gardens fertile from cycle to cycle, the fire crackling.  No matter how many people show up, Aamaa feeds us all. And no matter how many people go away, no matter how empty this house gets or how many of her birthdays pass, she keeps the water jugs full and the seeds sorted in dusty bottles. Aamaa has spent five decades in this village.

I had no idea Bishnu had applied for Aamaa to get a tourist visa to the U.S. to see Bishnu graduate from her Master’s program in information technology. Nobody told me that Prem and Didi took Aamaa to Kathmandu for the very first time last May to go to the U.S. Embassy, or that on the way there, Aamaa didn’t eat any cooked food because she couldn’t be sure who had prepared it. A few weeks later, I answered my cell phone in the parking lot at Walmart, and Bishnu announced that Aamaa had been given a five-year multiple entry tourist visa to America.

“What?” I said.

“For my graduation!” Bishnu explained ecstatically. She hasn’t seen her mom since 2013.

This explanation failed to explain all the questions I couldn’t think of.  Obviously the idea of having Aamaa make this trip has floated through my brain millions of times, but it was the ultimate what if ever.  The craziest version of everything.  Part of me thought that maybe this was all kind of a whim – a thing that might happen next year, or something. But Aamaa had sold the buffalo within a week.

On my way to Nepal in June, I tried to imagine having Aamaa with me on the way back. First I tried to digest the most obvious and superficial matters. For example, how would I explain the enormous statue of a teddy bear bent over with an apparent stomachache dramatically bottom lit in the Doha airport?

I can’t even explain that to you.

When I arrived in Kaski, everybody’s greetings had adjusted to the most up-to-the-minute state of affairs. “Laura! You’re here! How long are you staying? So, you’re taking Aamaa back with you, eh?”

Only Aamaa and I seemed cautious and uncertain with our excitement. The whole thing is so surreal that even the discussion feels like an entirely new and foreign continent. For fifteen years Aamaa and I have had what is now a very well established routine: I come to Kaskikot, we eat together in the kitchen, we go plant things with neighbors and churn milk and carry water from the tap, I fix up some things that need fixing in the house, we gossip about family here in Nepal and all the far away people not in Nepal. Aamaa knows them all – my whole extended family and a good number of my friends who have been to visit – largely through stories. But she’s the stable point, not just for us, but for herself also.

“So we’re going to America, huh?” Aamaa says as we are sitting on the porch, as if testing out the statement.

“Sure seems like it, right?”

We stare out at the tall curly corn stalks, crowding out the grassy millet that’s planted between them.

“What is the name of your District?”

“Pascal, do you know how many states there are in the U.S.?” I ask, and he doesn’t know, so I explain again about Virginia and Maryland and Connecticut and North Carolina.

We discuss departure dates because I have to change plane tickets that currently have me going home from Cambodia, where I’m visiting Bethy in August; Amaa knows Dr. Bethy, because she’s been here too. We mull over how long Aamaa’s trip to America should be. A month would probably be good – she might be bored after a month?

“I’ll go after cutting down the corn, and I’ll come back to cut down the millet,” Aamaa suggests with sudden firmness.

That seems good, I agree.  That is more orderly – maybe because we can see the corn.

Long silences. What, exactly, should we should be planning?

“Bishnu suggested I should get some kurta salwaars made,” Aamaa says. “I guess you aren’t really allowed to wear a sari in the U.S.”

“You’re allowed Aamaa. But a kurta salwaar might be more comfortable.”

“Ok we’ll plan a day to do that in Pokhara,” Aamaa states. “I guess we have to leave time to have it stitched and everything, right? We should go soon.”

“It only takes a couple days, but we can go soon.”

“Nah, you should just pick something out and I’ll meet you at the tailor,” Aamaa adjusts. “I don’t know anything about picking fabric.” Honestly, in sixty years, Aamaa has never walked in to one of Nepal’s fabric shops and picked out material for an outfit, which is how literally everybody in Nepal gets their clothes.

“No no no,” I insist, “I think you should definitely get to do the fabric choosing. Pick your own color, something you like.” I have to talk her in to it.

A few weeks later Aamaa takes the bus to Pokhara and waits for Pascal and I to come meet her at a chautara in Chiple Dunga. She can find her way to Didi’s house, but for the most part she prefers assistance to get around the city. Between the three of us, Pascal is the only one who can properly read in Nepali. We set off up the road to go to the fabric shop.

Laura chiama, let’s have some ice cream,” Pascal suggests wisely, because I am the sucker who will pretty reliably buy us all ice cream. As we pay, Aamaa has sat down on the low wall at the foot of the store, which is not a seating area, and Pascal and I go with it. I hand Aamaa her first ice cream cone.

“Do I eat this bottom part, the biscuit?” Aamaa asks.

“Yes, but don’t eat the paper,” Pascal instructs.

“I’m not going to eat the paper,” Aamaa says.

I can’t even remotely transpose any of this to Connecticut. I ask a passer-by to take our picture, and as you can imagine, she looks at the three of us – the Aamaa who has very obviously just beamed in from the village, the entirely incongruous American, and this regular Nepali boy being raised in the city – and gets a huge grin as she takes our picture. What could our story possibly be?

We set off again. Aamaa has brought along a broken umbrella from the house. “Laura, where’s a place that we can fix this umbrella?” she asks. I blink, there must be an answer to that, but I’ve never thought about an umbrella-fixing place.

“We should probably just replace it,” I say, feeling guilty for my wastefulness and mental laziness. I don’t have the energy to try to figure out where the umbrella fixer might be and there’s really no excuse for it.

As we wander to the center of town I’m distracted and disoriented because everything is inside out. When I first came here I couldn’t say a word or do a single thing for myself, and in Kaski, Aamaa runs everything.  We get a few kilometers off her turf and suddenly she is the foreigner and I’m the one who knows what we’re doing. She has also brought with her a heavy bag of cucumbers and other items for Didi and Bhinaju and the boys, and she’s carrying it on her shoulder, the way people do in the village where nothing is flat.  Pascal is twelve and he goes sprinting out in to traffic as we cross the street and I pay him no heed whatsoever because I’m dodging people to keep eye on Aamaa, having no calibration for how much I do or don’t need to hover over her in traffic. We probably haven’t walked through the city together more than two or three times in a decade and a half, and never just us – not once.

We arrive at the fabric shop.

There are hundreds of colors and textures of cloth to choose from. Aamaa looks hopeful that I will take over. As a young man begins removing options from the shelf she bends over them. He throws one on top of another and another and another and another. Her hands settle on a jubilant orange outfit.

“I like this one,” she suggests. She looks at me as though asking if that one is a good one to like.

Within ten minutes, Aamaa and Pascal and I are pawing through dozens of kurta salwaars, trading opinions on what Aamaa should wear in America. She picks two, and we take them to the tailor, who takes out his tape measure. He’s going to make something just for her, in her size and shape, to wear between the corn and the millet.

“I think you should do short sleeves,” I say. “Definitely short sleeves.”

“I don’t know – I think they should be a bit longer. To the elbow,” Aamaa says. The tailor agrees – maybe longer sleeves for an Aamaa. No way, I say, short sleeves look best on a kurta and it will still be hot in September. Aamaa studies her arms for a minute, apparently imagining them in a very standard piece of clothing she’s never had.

“Yeah. That’s how I want them,” she concludes. “To the elbow.”

*

The Ritual of Goodbye

 

I decided to take the jungle path up to Kaski, which I normally travel multiple times during any visit, but haven’t been up or down yet during this hectic winter. I set off late and as I climbed up, the scramble of things fell away and I was alone on the stone path.  Where there is time to climb and think.

It’s been a few years since the forest was cut here (for grass, firewood) so the way is lush and clustered with greenery.  I always wear flip flops and the contours of the rocks feel close under my feet, even in winter.  At intervals, I came upon dustings of red powder laying bright on the rocks, a trail I suspected had been left by a recent funeral procession headed in the other direction down to the river.  Midway up the path there is a natural spring that has been organized with laid stones, and one large flat rock with a groove in the middle serves as a ledge channeling a steady stream of water for drinking. When I come this way with the kids, they cup their hands under the trickle and funnel the water between their lips, like something out of the Secret Garden. The spring always feels like a sacred place, a steady tributary of water that started who knows where, up high in the mountains, probably, and falls there at our feet as we pass.

As I made my way up from the valley to the ridge, I had that granular awareness of time passing behind me, and it seemed so strange that at any moment I was on one stone, and then I would be on the next one, and just that way the whole path would be behind me and I would be up in Kaski, the secret water tap and everything far below where I’d just been.

img_1031By the time I climbed up the last step to the ridge top, I was a combination of chilly and sweaty in the January dusk. I walked the spine of the ridge, which curves along our cubby of village as if along the top row of a stadium. Little Narayan caught sight of me up along the ridgetop, and yelled out from way down in the first row where he was visiting a neighbor, LAURA DIDIIIIIIIIIIIIIIIIIII!!!!! before launching in to a sprint and leaping up over terraces to come walk the last bit of the way by my side. We made a right turn at our row in the top section of the stadium, and strolled out to the house sitting in the wings, where the fire was lit and Aamaa and Hadjur Aamaa were waiting.

We had some popcorn and hot tea as sunset approached. Narayan’s brother Amrit came over and in the yard we practiced taekwondo and played chungi, which is basically Nepali hackey sack using a ball of rubber bands, while Aamaa cried out at us to calm it down and I riled everyone up. Govinda dai came over and we sat with Aamaa in the kitchen while she made anadi paste, a rice dough with ghee that is healing for sore muscles and bones, and then we ate it and it made our hands sticky with ghee. Saano didi came over, and then Mahendra’s mother came over. We transferred to the big room with all the beds, and while our visitors took seats around the room to hang out, I jumped under the blankets with Hadjur Aamaa, and with us both lying down, my long limbs rested against the soft jumbled folds of her sari.

Aside from ritualized procedures and ceremonies – tikka-giving, astrology-reading, mala-making — goodbyes are wholly unfashionable around here. So what usually happens on my last day or last morning in Kaski is our closest neighbors come over to chat, but nobody talks about the fact that I am leaving, going to another world, and won’t be back for a long time. If we do, it is in the form of asking about the trajectory of my flight, how long I’ll be in the air, what they give us to eat during such a long journey, and whether or not it is colder where I’m going than where we are. We discuss what season it will be when I come back (summer), and what fieldwork we’ll all do together (millet planting and rice planting), and this leads us to reminisce about what a klutz I was when I first arrived, and how many things I know how to do now. At some point, people wander out mid-conversation. Because the course of events is set, both the leaving and the returning, and since there is nothing to be done, there is no point in becoming uncomfortable. I understand this ritual of goodbye, and have become grateful for it.

churning milkAfter most people had left, Govinda stayed while I churned milk so I could bring buttermilk to Pokhara tomorrow for the family. Govinda took photos of me, which is kind of nice because I don’t have many photos of myself since I’m always the one taking them – but then, people, he posted them on Facebook and two days later I would discover that this photo album is wildly more popular than anything I’ve ever posted of myself trying to be useful or worthy. What does it all mean?

When the milk was churned, Govinda dai left to go home and Aamaa and Hadjur Aamaa and I got ready for bed. It’s always been a nightly habit of mine to go out after everything is quiet and look at the stars, across the village stadium at Kali with her arms stretched out under her cloak, and study the positions of the constellations amassed around her. I usually walk out along the garden, and sometimes I climb halfway up the hill to the ridge and look back at the house with its golden porch light, a warm square in the broad, cold darkness. Even when I am far away from Kaski, I often feel my self located there, outside in the silence, looking back at the still, lit house in its expansive darkness. That spot is a place of gratitude and wonder, of tiny-ness and huge-ness at the same time: my little self, with coordinates in the galaxy.

It was another January night, clear and chilly, the stars laid out overhead like dust. I went out to the yard to brush my teeth, and for whatever reason, instead of going out along the terrace, I stood in the square of light cast off the porch and looked out in to the dark. In the summer, the yard is hemmed in by towering corn stalks, but in January, there are no walls against the yawning night.  I stared out in to the blackness, past the edge of the yard, and all I could see was the outline of trees under the stars, and an opening in the blackness at the top of the hill where the path gives way to the ridge.

It occurred to me that in all this time, I’ve never looked at it this way. I studied the inscrutable night, brushed my teeth, and threw my eyes up to the sky for a moment to make sure Orien was where I expected him.  Then I went back in to the house, placed the wooden bar across the inside of the door, got under the warm covers, and drifted off to sleep, safe against the morning.

*

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The Put In The Museum Pants

Welcome, world, to the new year 2017.  In honor of this changing of the calendar, I decided to take on some good old Kaskikot cleaning-out-of-old-clothes-from-the-house.  Now in order for you to fully appreciate what this means in context, you must understand a few key points.

First, the clothes in question have been in rotation for anywhere from 2 to 14 years, and for the most part, they are only worn when I’m in Nepal.  Second, these garments are mainly used for activities such as chopping wood and hauling water and painting murals, and they are washed on rocks. Third, p1070133all of the family clothes are stuffed in to one large dresser with drawers that have been labeled with permanent marker by the kids (“Lora and Bishnu, Ama, Malika and Prem, Aidan and Pascl”) and the dresser is always so full you almost can’t open it, or close it, which is why every time I get the Lora and Bishnu drawer open and then shove it almost shut, Aamaa yelps out from across the room and chides me for leaving one inch of air space that will look irresistible to a mouse seeking fluffy shelter from life.

Next you must understand that nobody throws anything away, ever, under any circumstances, because it was once useful, might again be useful, is nicely made, contains a wrapper or other information that might be needed for future reference, or just because I don’t know let’s just keep it here wedged between the roof beams because we have roof beams.

And finally, since I am away for 5 to 10 months at a time, partway through, Aamaa religiously takes out the nicely stacked and folded system I’ve left behind to air out everyone’s clothes in the sun.  They are then returned to their airless purgatory in maximum disarray.

It is also notable that at any given time, most people in the household cannot locate the particular piece of clothing they wish to wear.  I spend most of my time at home either trying to open the Lora and Bishnu drawer, trying to close the drawer, or looking under piles for something while Aamaa cries out, “No matter how big the house gets, it just fills up with things and then we can’t find anything!”  FYI this is a two-room mud plaster house with a kitchen and attic, which was once expanded from a one-room mud plaster house with a kitchen and attic, but that’s the EXACT SAME THING my mom says about our large suburban abode in Bethesda.  So you can put that last point in to your “Deep thoughts on human life” file and stick it between the roof beams for future reference.

In any case, on Dec. 31, 2016, I made a decision, people.  Grandma was sunning in the yard while Aamaa tended to the buffalo, Govinda’s kids were over, an attempt to fold and restore clothes to the Lora drawer with Sulochana’s help was going nowhere, and in a fit of courage I committed to assigning a pile of my best clothes to mattress material.  (I mean it, if you think anything ever gets thrown out, let’s talk about used-up pens and “good” empty cardboard boxes before we start wasting perfectly good 14 year old clothes.)  I handed my camera over to Sudir, and he and Sulo stationed themselves to document these items for posterity.

Now then, with no further ado, I present to you the parade of Useful and Sentimental Clothes.

Item 1: The Mural Surulwar

Mural, White Paint - Me

The very first time I came to Kaskikot, all the way back in October 2002, the volunteer agency took me to a tailor and I had two outfits sewn.  I wore them constantly during my first two years, including through the painting of two murals at Sada Shiva Primary.  One top frayed out of existence a few years ago, but these two outfits are mostly still in circulation for both sentimental and practical reasons: they became my go-to outfits for mural painting.  This pair of pants, however, is difficult to wear in pretty much all circumstances.  Bye bye special beige painting surulwar.  We’ve walked so many places together and you’ve had so many kids I love on your lap.

Item 2: The Elastic Bathing Lungi

Fortunately I don’t have a “before” photo of the bathing lungi.  But it too is a lifer: it has been bathed in for 14 years.  In fact, I think I inherited it from another volunteer that was leaving when I arrived in 2002.  Suffice to say that this little number is no longer appropriate for bathing, or really for anything except becoming a mattress cover.

Item 3: The Red Kurta I Stole From Bishnu

Round about my third visit, I started to wise up a little on style.  Anecdotal evidence suggests that when Nepali tailors sew outfits for white people, they just go huge and hope for the best.  We look like Yetis, but at least we can get in to these outfits.  As I became more interested in a fashion choice that wasn’t a mumu, Bishnu’s loosest outfits were large enough for me to get in to as long as I didn’t breathe too much.  This red top was my favorite and eventually I had it let out a little around the lungs.  When I wore it with some red pants I found, I felt like a princess, but then someone made the red pants in to a mattress, so I reverted to wearing it with the beige Mural Surulwar.  It then became covered in paint, and torn, but it’s had a great life on multiple Spero-Subedi women.

Item 4: The Put In The Museum Pants

I got these jeans for $10 at a discount mall in college, and they were my Nepal jeans for about 10 years.  They got patched in the crotch, the butt, around the ankles and in various locations where they caught on things here and there.  I took a lot of crap for wearing these pants, which Prem had coined the “Put In The Museum Pants” for quite a few years before I stopped wearing them.  I discovered them at the bottom of the Lora and Bishnu drawer, and I’m glad nobody throws things out here, because it would be terrible to think of these trusty pants in a ditch somewhere.  Unfortunately they do not fully qualify as pants any more at this point; they evolved closer to the mattress stage while still on me.  Since I’ve clearly enjoyed sitting on them quite a bit, I’m glad someone will have a nice night’s rest on them…like a museum, but lying down.

They will be next to this AAU Taekwondo Nationals t-shirt that I got in 2008; it had a rougher life once it moved continents.

Item 5: This one’s not my fault.

This is a kurta surulwar that belonged to Bishnu about 10 million years ago.  I was able to convince Aamaa that nobody is going to wear it again ever for the entire future of the planet until the sun explodes.  I tried to lower my arms for these photos but to no avail because the outfit was sewn with inexplicably tiny sleeves and indefensibly large and poofy pants for someone 1/2 my size.  Thank you for just being you, outfit that makes no sense.  You inspire us all.

Item 6: The One I Couldn’t Bear to Actually Give Up

Oct. '03

This is the other kurta surulwaar I had sewn for my first ever visit to Kaskikot.  I wore it constantly and the material appears to be more durable than bulletproof kevlar. I have photos of myself carrying grass in this purple kurta, teaching in this purple kurta, holding a cat in this purple kurta, going to a dental clinic in this kurta, and giving Mom and Aamaa a joint foot massage while wearing this purple kurta when my parents first visited 2003.  Purple became my symbolic color, and often when I receive gifts in Kaskikot they are purple if they are not edible.  The kurta, as you can plainly see, evolved in to my primary mural painting smock, and hasn’t been used in quite a while. But I still wear the dark purple pants around the house even though the crotch is ripped (YES, I have leggings inside, jeez) because the thick purple material is still warm and soft and because the Yeti sizing is perfect for lounging. I decided it was ok to hang on to these much-travelled and much-loved pieces of history a bit longer.  Maybe my great-grandkids will get a kick out of this getup.

So after we had finished modeling the upcoming mattress, we shut the dresser drawer, Sulo did my hair with a complicated formula of braids and safety pins, and we had a dance party with Grandma.

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Happy New Year!

No wait…one more for the road.

Cause I’m keeping the purple one.

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Tihar, Festival of Lights, 2003

 

 

 

 

Real Work in the ‘Hood

 

After our week of screenings in Puranchaur and Hansapur, I took our university teams up to Kaskikot. We didn’t arrive in until late on Sunday night, after visiting our Bharat Pokhari clinic during the day.  Everybody stayed in the hotel behind the house, but most people came down to hang with me and Aamaa and Hadjur Aamaa for a while.  We had tea, chilled in the kitchen, and of course I put some Henna on Neha and Justin.

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The next morning, we said bye to Karen and the Berkeley/UCSF crew.  It’s been so special hosting these guys, and we’ve all learned so much from them.  First of all, we had an immersion week in the science of oral health and nutrition, and also in research and evaluation.  But it was also so invigorating for our field teams to get to work with Dr. Karen, Dr. Madhurima, and the students they brought, and I can’t wait to see all of these guys later this spring out in California!

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Keri and Bethy are sticking around for another week, which began with a trip to Sarangkot to screen past patients and do a clinic audit, which I’ll write about in another post.  We came back to Kaskikot on Monday night so that after this marathon week, we’d have the next day to just hang out.  In the evening, we lay around in bed exchanging songs with Hadjur Aamaa.  She wanted to see some dancing, and Keri turns out to have an amazing workout mix on her laptop, so that kept Hadjur Aamaa solidly entertained for quite a while.  In exchange, she allowed us to teach her some lyrics from “Holla Back.”  This is Hadjur Aamaa learning to declare, “It’s my shit.” (Video credit: Keri.)

First thing in the morning, I put Bethy and Keri to work churning milk, while Aamaa bustled back and forth past us over and over again, saying we were going to ruin it, which was a possibility, and I replied that everything was going to work out just fine, the foreigner way.  Which basically gave Keri and Bethy the full experience of my life.

Next, of course, I commandeered the dentists carry to water in baskets, which was well worth it just for this fantastic piece of documentation.

What?  We needed a lot of water.

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We hiked up to the Kalika temple and had a photo shoot.  I’m not even gonna explain how this happened…Bethy was in the New Zealand military and has superpowers.  I just had a good photographer named Keri.

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We came home and spent a couple hours in the yard with Aamaa and Hadjur Aamaa shucking corn.  TBT to the time my family came to visit in 2004, and we shucked corn in the yard:

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Shuckin' Corn

Tomorrow we’re on to a school seminar in Rupakot, and then Salyan for another clinic audit.  But this was a pretty swell stop, in my unbiased opinion.

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Hope Against Entropy

(Editor’s note: apologies if you’re on my email list and receiving this a second time.  It won’t happen too often.  If you’re not on my email list, you should be!  Please write “SUBSCRIBE” to laura@jevaia.org).vision-nepal-global-exposure-workshop-088-2

Good morning from sunny Pokhara!  I arrived yesterday and enjoyed a nice homecoming tour of all my regular haunts. Since August, Pascal has rigged up a home-made antenna on the roof, Aidan’s other front tooth has finally come in, and the corn has been cut down in the garden in front of our office, replaced with new seedlings.  I absolutely love this season in Nepal – the cold, wide air, the clear mountain skyline which is obscured by fog during the monsoon, the evening snuggles with my nephews under warm blankets.  Tonight I head up to beautiful Kaskikot to see Aamaa.

photoI’m so excited to tell you about our plans for this winter.  After 10 years of chipping away at all this, we are just days away from a two-week collaboration with dentists, researchers, and students from Berkley, UCSF, UConn and the University of Puthisastra in Cambodia. It is a strange and wonderful feeling to be preparing for such a large and qualified group of visitors after so many years of working away with few outside witnesses to our efforts.  There are many great things wrapped up in upcoming this ball of projects.

The first is helping to implement a UCSF/Berkley study of oral health and nutrition in mothers and their children.  Our own JOHC field teams will get to work with the researchers to conduct this study in one of our villages.  The second project is training our technicians in some new techniques, which they’ll incorporate in to their sustainable clinics.  Third, we have the chance to bring dentists to our rural clinics for medical audits.  Believe it or not, after an entire decade, this will be the first time we’ve had foreign dentists come to visit our clinics.  

And finally, we’re going to pilot an evaluation of past patients who’ve been treated by our technicians over the years.  If you don’t think that sounds like Christmas, listen here! This means comparing the outcomes achieved by our local dental technicians to the results produced by fully credentialed dentists in prior studies of the same treatment techniques. img_3285 This is a HUGE step towards our goal of having Nepal’s national health care system adopt rural dental clinics in to all of its health posts. Why? Thank you for asking!  Because the main criticism is that community-level health workers aren’t qualified to perform dental medicine…even though that excludes millions of people from care.  But we’re making the case that, rather than write off local health workers, the medical field must find ways to properly train them to provide the best care possible in their settings.  And that’s what we’re doing!

Ok, so those are the technical points.  Now let’s talk about me organizing for fourteen people to show up next week from California, Connecticut, India and Cambodia.  We have a schedule, a budget, a training plan, hotels, flights, and t-shirts.  We’re doing our best to keep things under control.  But we are up against the entropy of Nepal, people.  THE ENTROPY OF NEPAL.  Pretty much anything could derail our plans and contingency plans: a wedding, a political strike, rain, someone’s grandpa dying, a forestry meeting, a buffalo falling ill.  A buffalo having a baby.  A traffic jam.  A flat tire.  Lost luggage.  Fog on Sunday afternoon.  Somebody decided to drive this point home for me at the recently renovated, lusciously carpeted arrival terminal in the Kathmandu airport, which has a new row of fancy kiosks for visa filing:

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On the plus side, sometimes fate works to your advantage.  Consider our office.  This fall, our landlord’s son got married.  The son received a number of couches by way of dowry.  They don’t fit in our landlord’s apartment, so I arrived to find them in our office, which now looks rather like a furniture store.  If you have any idea how much I have obsessed over the setup of our office, you will especially appreciate this stroke of….er….luck…

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Well, in solidarity, I think I’ll leave you there on the edge of your seat.  Except for sharing a photo of this year’s Race to the Rock, which was one of our best yet.  If you missed it, please consider Jevaia in your end of year giving.  After all, we’ve made it this far – through many political trials combined with road mishaps, fuel strikes, weddings, earthquakes, and baby buffalos – almost exclusively on the wings of individual donors, and here we are entering a very exciting new chapter.  Thank you for being a part of the ride with me and all of us.

*

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